my name is larisa guzeeva, my wife george is visiting me.ria a letter to you. tanyurochka, my little one, i kiss you in the black gypsy eyes. now i know that we found each other, something is a miracle with you. difficult love, which means real. so, but happiness, what kind of life is this. you understand that until the last breath you have something to live, because you have such memories, you understand, for the sake of this it made sense to be born. i just remember that there was a very difficult period, when you tell me, it’s not just that he says so. yeah hard love heavy, and i received such letters, when masha was born when we lived in a hostel, that is, i was left alone with her. and zhora went out of action without me for the first time, but it was hard to assert. no, no one helped me . parents in the corners, no one alone with a small child. nothing at all. i just had hungry days. and these are the letters that he wrote to me on tour. i even understood everything. i was starting to get angry that he didn’t send any money there, that

my name is larisa guzeeva uh, and i have two wonderful guests maria burkova and tatiana burkova thank you. spring motherland expanses mountains valleys silver grandfather and the winter forest of sadness go news across the virgin land and filmed. yes, i'm far away. i can clearly see starlight in my favorite steppe. it's going to be a long road. hello open space wide spring and youth, meet yours and come to me. you will arrive early in the spring to a young mistress, right to a new house with a blue dawn, a scientist with virgin soil with tractors, we will go side by side. oh, different nights, starry soon i will see my beloved glass edge. hello my passion, just wide meets. valley road virgin land hello wide expanse of spring and youth to meet mine i met a full rose met a rose blossomed thorns of thorns. the rose is full, i said i'll return to this russia, i said i was born. i'm not getting married, i'm returned. i am not plucked flowers, rosie 17 years old blew a rose plucked flowers, 17 years old. oh, guys guys 17 year old guys guys you and soles, do not tear your hands at 17 years o

my name is larisa guzeeva.vanovich's daughter maria a letter to you. tanyurochka, my little one, i kiss you in the black gypsy eyes. now i know that we found each other something from the miracle we have with you difficult love, then real. but what happiness to live with this, you understand that until the last breath. you have something to live for, because you have such memories, you understand, for the sake of this it made sense to be born. i just remember that there was a very difficult period, when you tell me, it’s not just that he says so. yes, hard love is difficult, and i received such letters, when masha was born when we lived in a hostel, that is, i was left alone with her, and zhora left the line without me first. well, it was hard to argue. no one helped me parents in the corners no one one on one with a small child nothing at all. i just had hungry days. and these are the letters that he wrote to me from the tour. i even understood everything. i started to get angry that he didn’t send any money t

remember the filming is very, very good artists around the time is good and absolutely amazing guzeevaell, okay, now it’s not about me, but do it anyway. tell me please. so, when vasya ratel both little tanya, who had 17 years old, georgievich, the difference, no, 13, how many you were years old when you left, when i was gone, 44, that is, by today's standards, this is a young woman who is ready to get married for the first time and the parents of a child. that's what i promised today. i didn’t even imagine myself as a disappearing husband to leave something like that in general i didn’t imagine any other men. but then let's digress into the past look when you met. you were 18 years old. yes? i lied that i was 21. that's how i added everything they reduced. i said that he was 15 years old, well, 40 kg, and his height was 56 kg. this one here is a girl with eyes on a stick. uh, who saw whom first? yes, but i kind of saw it, yes, in the theater at the blackboard, the schedule, but roughly speaking, i didn’t immediately see it, but they showed it. hmm, all the young actors were sitting an

i'm larisa guzeeva this is a podcast of letters.great maria callas visiting me. maria vardenko, playwright and screenwriter sergei bulanov is a music critic, and today we will talk about maria callas about what letters she wrote to whom and whether she actually wrote them, because one of the most famous letters turns out to be yours yes, tell me why and how suddenly you introduced, uh, all the delusions. oh well, so we begin to look at the study of various materials about her life. i was shocked that she was idolized, as a singer was idolized, as an actress, but no one loved her, as a daughter and as she was a woman, uh, an unloved child who was born in place of a dead boy. she had an older sister who was 6 years old. if that's why she fell in love with an adult, yes, she loved papa first of her husband, who was hers. over 30 years too old and i'm not at all unsure. whether she loved him, she, uh, found dad in him. in any case, she found in him a man who was absorbed in her work. he loved her as an object of investment, that is, it

my name is larisa guzeeva, uh, and i have two wonderful guests maria burkova and tatyana burkova thankis is a podcast of the psyche. my name is natalya loseva. i am a journalist, and my co-host is a clinical psychologist , ph.d. in psychology, mikhail khors. today, our heroine came to us with a problem that, it seems to me, is typical for so many of her peers. well, in any case, i came across quite a lot of such stories, and this does not detract from this story in any way, on the contrary, increases its importance. hello tatyana , hello, what did you come to tell us about, i compare myself with others guys with pain successful guys with those with whom we started, in principle, compare together not in your favor, but objectively not in your favor. it's just that there are objective indicators, for example, the number of sales of a profession, and the number of subscribers. that is , some such resources. that is, measurable , as they say, yes, and the whole problem lies in the fact that when i compare , i don’t have a desire, but to do more, and i’m the opposite. i lie down in some kin

hallelujah hallelujah, hallelujah hello i'm larisa guzeeva this is a podcast of letters. my guest today is great galina konshina, a wonderful actress olga khokhlova, uh, we will talk about the fine ranevskaya about the greatest fairy ranevskaya, both actresses play in the faina raevsky theater we play my performance in different performances. i've been playing him for 10 years. just uh, it's a coincidence. and what about your gift paradydin? you could do it, one to one right on us like this. i don't make rapids. yes, i'm playing, playing she doesn't like this word, ranevskaya is my my nevskaya is a very touching eighty-six-year-old lonely woman who can no longer live in this world with her longing. i uh, remind the audience in some bits of uh action. replicas from her performances so that she was somehow recognizable, for example there. well, what a handsome man he is. well, how? well, i mean, uh, the audience will recognize me, but that's also her role. it's not her, it's her she is different. here she is, like in an interview with natalia krymova, the last one, very tou

hello, i'm larisa guzeeva, this is a podcast of letters. today my guest is great galina konshina, a wonderful artist olga khokhlova, we will talk about the fine ranevskaya about the greatest ranevskaya, both actresses play in the fain ranevsky theater. we play in different performances my performance. i've been playing him for 10 years. just uh, it's a coincidence. and what about your gift paradydin? you could have done it, one to one, just like that, i don’t make thresholds for us. yes, i play, i play. she doesn't like that word. my ranevskaya, netherskaya. this is a very touching eighty-six year old single woman who can no longer live in this world with her longing. i remind the audience in some bits and pieces of the action. replicas from her performances so that she is somehow recognizable, for example, there. well, what a beautiful apollo belvedere ugh parasite and or something else. well, how? well, i mean, uh, the audience will recognize me, but those are also her roles. it's not her, but she's different. she's like me in an intervie

and larisa guzeeva, my guests were galena finished and olga khokhlava. thank you.ree program podcast with you tonight. i am maxim tarankov, and we have absolutely unique guests. dear by me and i am sure by all of you elena anatolyevna chaikovskaya good evening. good evening, glad to see you, as the head coach of the russian national figure skating team, are you satisfied with the state of affairs in russian figure skating? oh, you know, i am the head coach of the national team for the third time in the history of my coaching work. i have now accepted a very strong team. there were times when it was worse. now i have in my hands a very strong very interesting team in terms of composition. and i, uh, i hope that how would they continue to go on showing. what is our russian curly figure of some kind. and what is the strength of our national team strength in ingenuity strength in the idea. the strength is in the discovery, because so many elements so many fit into the programs were created here. russia has always been remarkable for its surprisingly ingenious ideas, mu

hello, i'm larisa guzeeva, this is a podcast of letters.est today is the great galina konshina, the wonderful actress olga khokhlova, uh, we will talk about the fine ranevskaya about the greatest ranevskaya, both actresses play in the fain raevsky theater we play my play in different performances. i've been playing him for 10 years. just uh, it's a coincidence. and what about your paradisal gift in general? you could have done it, one to one, just like that, i don’t make thresholds for us. yes, i play, i play. she does not like this word, ranevskaya is my net. this is a very touching 86-year-old single-skinned woman who can no longer live in this world with her longing. i uh, remind the audience in some bits of uh action. remarks for her performances in order for her to be some recognizable, for example, there. well, what a beautiful belvedere apollo he is, damn it, and or something else. well, how uh? well, that is , the audience, i recognize, but these are also her roles. it's not herself, but she's different herself . here's how i have i

and larisa guzeeva, my guests were galena, finished and olga khokhlova thank you thank you. you. hello this is a free program podcast. i am maxim tronkov. and today we have a special guest as our guest, we all know that this is georgievna tutberidze. very rarely gives interviews, but believe me. there is another person who gives them even less often, this is the honored coach of russia sergey viktorovich dudakov. greetings, maxim i'm always glad to see you. sergey why did you get such an unspoken title as the most mysterious person in figure skating? why do you rarely give interviews because that, well, don't like to give them. 'cause you're more of a man of action, than words, most likely, yes, the best work. than let's interview. well, anyway. i am very glad that you have come today and what is the big all-encompassing thing? i hope the interview, well, first of all. we have known each other for a long time. i think this will make our conversation easier. no need to be so nervous. i know it's stressful for you. here but i hope that i will help you to pass this stress easil

hello, i'm larisa guzeeva, this is a podcast of letters.day is the great galina konshina, the wonderful actress olga khokhlova, uh, we will talk about faina ranevskaya about the greatest hair dryer ranevskaya, both actresses play in the faina ranevsky theater. we play in different performances my performance. i've been playing him for 10 years. just uh, it's a coincidence. and what about your gift of parodyne in general? you could do it, one to one, just like that. i don't do doorstep. i 'm playing, playing she doesn't like that word, ranevskaya is my my nevskaya is very a touching 86-year-old lonely woman who can no longer live in this world with her such. i remind the audience in some bits and pieces of the action. replicas from her performances so that she was somehow recognizable, for example, there, well, some, well, beauty. you're just apollo belvedere ugh, damn it, and or something else. well, how? well, i mean, uh, the audience will recognize me, but that's also her role. this is not herself, but she herself is different, she is lik

and larisa guzeeva visiting me was finished. and olga crested. thank you. thank you.e is a psychologist and tatyana krasnovskaya, a psychologist and a psychotherapist, and we are talking with our guest olga olga tell us what you came to us with today, and i came after a relationship with an abuser. so a psychopath, probably, but having lived with him for some period of time, i now understand that there are some consequences of this relationship in my life, and i catch myself that i can’t cope on my own and i have some kind of body reaction . yes , inappropriate for some situations. i think i perceive it the situation is wrong and i have no right to be offended and annoyed there. that is, it seems to me that i invent everything for myself and get myself to suppress these emotions. and she herself suffers from this and it seems to me that people when they talk to me, i understand everything wrong, that is, some kind of everything, perverted, as if i have some kind of distortion and in general , somewhere the norm. how old are you 35 years old? how many years have you be

hello, i'm larisa guzeeva, this is a podcast of letters.at galina konshina, a wonderful actress olga khokhlova, we will talk about the fine ranevskaya about the greatest coach nevskaya, both actresses play in the faina ranevsky theater. we play in different performances my performance. i've been playing him for 10 years. just uh, it's a coincidence. and what about your gift of parodyne in general? you could have her do one on one right like this on us i'm not doing a parody. i play by playing. she does not like this word, ranevskaya my my nevskaya is a very touching eighty -six-year-old single woman who can no longer live in this world with her remind the audience in some pieces of e action. replicas for her performances so that she was somehow recognizable, for example, there. well, what a handsome man he is . well, how? well, i mean, uh, the audience will recognize me, but that's also her role. it's not herself and she herself is different. here she is like me in an interview with natalia krymov, the last one is very touching, i deliberat

and larisa guzeeva visiting me was finished. and olga crested. thank you. thank you. hello.ast, i 'm its presenter grigory tarasevich, editor-in-chief of a popular science magazine with the same name schrödinger's cat, in fact, schrödinger's cat is such a thought experiment, associated with complex quantum physics, in short - this is an accessible metaphor. a simple metaphor is a very complex science and our podcast is just about how he sees the complex in the simple and the simple in the complex, and today we will talk about series. and together with me, svetlana karlash is a psychologist and someone else, but who i will tell later and we will talk about complex things through a fairly simple, understandable serial container. you watched this series, yes, and you can manova on you. the container series is declared as an acute social drama, but, in fact, uh, there are a lot of such borderline psychological issues, but in social ones too, uh, and i think that it is quite provocative, not only in terms of the topic of surrogacy, but from the point of view of broader worldview

and larisa guzeeva, my guests were galena, olga finished with a crest. you thank you creative industry podcast and with you again today roman pockets elena kiper and our guest is a large circus dynasty represented by two brothers edgard and askold. and askold e people's artists and both are headed by each in their own part, the big moscow circus. that's right edgard ceo. yes and how much artist is the place of the circus now in our country, what is it like when the pandemic happened? and quietly, quietly , our viewer was released, so to speak, to freedom and allowed. there, at first, in the department , there were restrictions of 15%, 30% for visiting 45. so gradually we saw how the viewer to us was not what was coming. he runs there and there was already a fight for each ticket, because there were very few of them, as soon as they were opened. uh, hall people here after well , almost a year old, yes, simple in in the literal sense of the word, began to storm curds and not only the large moscow church throughout the country, therefore every time when peo

thoughtful, because the husband can hide, i also want to know if you resorted to the services of larisa guzeevariend or a hamster, i don’t know who you are. sergey shteps vasilina kataeva katya trump and david manukyan are telling you something. okay, i'll go to me, too, the only person who is there. it seems more than sasha savelieva, this is the person about whom he speaks, you, and today i once again imagined in a hamster, karina's blood. perhaps there she is dear, our hamster brother, take your tape recorder and return to us to vote in the same dance as you performed on this stage today. each release of the mask delights us with its performances delight, and you rutube is an opportunity for everyone to become popular and start monetizing their content a huge number of categories unique formats fresh ideas everything you need to inspire rutube watch, create, download. updated mobile application series and live tv channels pyateroshatites, where it is very colorful. they spoke passionately that ours was broken there, in general, an iron shield. it didn't feel like i watching a movie. and you

my name is larisa guzeeva, and i have two wonderful guests maria burkova and tatyana burkova thank you. your heart lord hallelujah