someone, this is a podcast of witnesses from einstein, and we are its hosts , film historians, natalia ryabchikovatanislav didinsky, today we are talking about the 105th anniversary of the world's first film school in gika, we will watch excerpts from... you didn't study directing at vgik? it was hooliganism, but i was incredibly lucky, because yuri nikolaevich orabov, to whom i brought my works, including television film works, he somehow believed in me, took me by the hand and brought me to my debut, but told me strictly to be wary, and he was the artistic director of one of the never say that you are studying at obgik and that you, and at that moment i was studying at vgik and finishing moscow state university at the same time, the filming also fell out, and... that means that we were filming at night during that period, and in the morning i ran to exams, and then to vgik, then to moscow state university, and it was a lot of fun, and it so happened that this is not a diploma, but this is a debut, which well, it came out on screens and thank god, and is even still running, but it is a medium-len

the future, and this was a podcast of witnesses from einstein and its leading film historians natalia ryabchikovaslav didinsky, we talk about how to watch favorite, maybe half-forgotten, unknown soviet films now, and how to find new meaning in them and get even more pleasure, and today we talked about the 105th anniversary. in the ec of the all-russian state institute of cinematography with three of its graduates: alexander kotty, nikolay lebedev and ivan tverdovsky. thank you! this is the easy money podcast, me and its host mikhail khanov, today we will figure out. how games help us make the right decisions and improve our financial results, our guest today is alexander nesterov, hello alexander, head of the international laboratory. game theory and decision making at the higher school of economics, this is really not a play on words, yes, that theory games, it would seem, such a playful element of our life, helps in such a serious part of our life as financial management, making the right financial decisions, yes, it is really so, game theory is a very serious discipline, in fact, yes, it is ma

hello, this is the podcast witnesses from einstein and its leading film historians natalia ryabchikovansky. in our podcast we talk about favorite, classic, maybe little-known or... forgotten soviet films, we talk about how you can now to watch them in a new way, how to find even more pleasure in them. today we will talk about soviet-italian cinema connections. there are several remarkable anniversary dates, the centenary of the birth of marcial mastroianni, one of the most beloved actors of soviet viewers. sofia loren, sophia loren or sophia loren, turns 90, as soviet viewers knew her in different ways. and another date is 55 years since the film sunflowers was shot in moscow, where mastroianni and laurent just happened to be filming. i am doing this for one italian woman, what do you think, she will like it, it's a wonderful gift, i think she will like it, today we will talk to a person who embodies these very soviet-italian cinematic connections for us. this is laura guera. hello. hello. so, maybe sophia loren is not 90 years old. you know, when i came to italy, all for these wonderf

hello, this is the einstein witnesses podcast and its hosts, film historians natalia ryabchikova andslav didinsky. in our podcast we talk about our favorite, classic, maybe perhaps little-known or forgotten soviet films. we are talking about how they can now be watched in a new way, how to find even more pleasure in them. today we will talk about soviet-italian cinema connections, there are several remarkable anniversaries: the 100th anniversary of the birth of marcial mastroianni, one of the most beloved actors of soviet viewers, sofia loren turns 90 , sophia loren or sophia loren, she was known by different names by soviet viewers, and another date is 55 years since the film sunflowers was filmed in moscow. where exactly mastroianni and laura were filmed. i am doing this for an italian woman, do you think she will like it, it is a wonderful gift, i think she will like it, today we will talk to a person who... for us embodies these very soviet-italian film connections, it is laura guera. hello, hello. so, perhaps, sofiaren i am 90 years old. you know, when i came to italy, all these

am film historian stanislav tidinsky, with me in the studio is my colleague, film historian, natalia ryabchikovaand today we we are talking about russian animation. actually, one of such important films was shot by lev otamanov, a wonderful soviet animation director who personally knew starevich, because as soon as the borders opened and russian animators, soviet animators, began to actively travel to foreign chemical festivals, lev atamanov and ivan ivanov vano first of all ran, having got to paris to visit starevich, to get to know him personally. well, then, what happened next? and then? soviet animators began to create their classic films, one of which classic films began to be watched by other animators began to go abroad, this is where the influence began, including on japanese anime, which today, well, sort of dominates the world, but then in the 50-60s, soviet films were just getting there, and japanese animators watched with great interest and surprise, well , for example, the snow queen by lev atamanov, let's look at the program, i... hayau mizaki himself loves to tell, this is often r

witness lizenshteyn, in the studio are his leading film historians, stanislav didinsky and natalia ryabchikova about the hundred and fifth anniversary of the world's first film school of the all-russian state institute of cinematography, there is a wonderful story about torkovsky and khutsyev. further, well, really different, different eyes, another generation, so it is absolutely normal to give them a reason to lie, that this is for them i like it, very much, well, it’s still visible, so no, the workshop is something else, it’s a kind of community, which you bear responsibility for, we’ve had the workshop for 5 years, you’re personally responsible for these people you’ve recruited, you’ve ruined someone’s life, you personally, because you made a mistake and accepted him, so it ’s like this... a wonderful broth that we’re cooking in, and it’s, how can i explain, it’s bad and good, because in all film schools different masters come there and you jump from... one to another to seminars, and here, as it were , this community exists, it’s very it's interesting because it's mutual, you vampirize th

project, hello, this is a podcast of witnesses from einstein and its leading film historians, natalia ryabchikovaav didinsky. our podcast is about who and how created classic, beloved, little-known, forgotten soviet films, and today we will talk about the sixtieth anniversary of, probably, one of the most beloved soviet films, this is the film "i walk through moscow". and today our guest is the actor who played one of the main roles in this film, evgeny steblov. hello, hello, hello, evgeny gerevich, we will try to tell you what we know, ask you about what we don't know, for example, we know that the story that was later told in i walk through moscow began in the head of gennady shpalikov, well, long before that, and was told in the initial application, which was called friends, about two guys, schoolchildren who meet in the morning line for beer, but in order to find this beer kiosk... one of them had to play detective, because he started looking for this line by the skins of roach that were scattered on the street, and it was by these skins that he actually came to the kiosk, well, that was shpa

this is a podcast of witnesses from einstein and my host , film historians, natalia ryabchikova and stanislave are talking about the 105th anniversary of the world's first film school in gika. we will watch excerpts from historical works, and you will tell us what the reaction was to these yours first works. even more interesting, no, i would like to start with nikolay and ask in general how it happened that you have what can be considered a diploma work. despite the fact that you did not study directing at vgik, it was hooliganism, but i was incredibly lucky, because yuri nikolaevich arabov, to whom i brought my works, including television and film works, he somehow believed in me, took me by the hand and brought me to my debut, but told me strictly, and he was the artistic director of one of the in no case say that you are studying at obgik and that you, and at that moment i was studying at vgik and finishing moscow state university at the same time, the filming also fell out. and that means that we were filming at night during that period, and in the morning i was running to exams, and the

lenshtein's witnesses in the studio of his leading film historians stanislav didinskiy and natalia ryabchikovay of the world's first film school, the all-russian state institute of cinematography. there is a wonderful story about torkovsky and khutsyev. putsyev brought with him, it seems, it was a film obestan zarechnaya street, shows. in geek, so after the screening some student stood up, everyone thought, a pole or something, began to loudly criticize the film, well then, of course, as you understand, it was torkovsky, this later turned out, and torkovsky became khutsyev's assistant on the set, later, before how to start making your own films, but this is actually, this connection, when on the one hand masters and aspiring masters and debutants show their films at vgik, discuss them with students, it seems to have always existed. since the nineteenth year, yes, when there was a transfer of experience of people from revolutionary cinema to a new generation of soviet filmmakers, yes in the twenties, then in the thirties, when they began to teach there already and people who became established

and this was the podcast of witnesses from einstein and its leading film historians, natalia ryabchikovanislav didinsky. we talk about how to watch your favorite, maybe half-forgotten, unknown soviet films now, and how to find new meaning in them and get even more pleasure. and today we talked about the 105th anniversary of vgik, the all-russian state institute of cinematography, with three of its graduates. alexander kott, nikolai lebedev. and ivan tverdovsky. thank you. this is the easy money podcast, i am its host mikhail khanov. today the topic of our issue is the myths and reality of passive income. how to create a stable income without active activity. our guest is elena kornilova, phd in economics, associate professor at the financial university under the government of the russian federation. hello, elena. hello, mikhail. well, you know, as my younger children say, the meme passive income is a beach, necessarily sand, sea, palm trees, and if we are talking about remote work or some financial investments, then there is a computer-calculator, yes, is necessarily present, then there

i am a film historian, natalia ryabchikova and my colleague sanislav didinsky, we talk about who andamous, cult, forgotten and completely unknown soviet movies, why should we watch soviet movies now. we are going deep into the film archives to understand how we can watch them now and how we can get the most out of them. hello, my name is stanislav dizdinsky, i am a film animation historian and today i will tell you together with natalia about... about why russian animation day is celebrated on april 8 or march 26 according to the old style, when the first russian animated film premiered, about what animation viewers learned much later, about the film beautiful lukanida by vladislav starevich. who is vladislav starevich? what is beautiful lukanida, when did it happen ? it happened in 1912, when no one knew the word animation or cartoons, but some... knew what stop-motion photography was, with the help of which you can, frame by frame, step by step, animate some objects on the screen, well, let's say, turn one handle of a doll, the second handle by barely noticeable millimeters, then t

hello, this is the podcast of a witness from einstein and its hosts, film historians natalia ryabchikovainsky. in this podcast, we talk about why it is now necessary to watch forgotten, little-known, popular, cult soviet films, how to discover new meanings in them, and get even more pleasure. in order to do this, we look into the secrets. film archive, re-watch old films, and sometimes talk to current filmmakers. today we will talk about the 15th anniversary of the all-russian state institute of cinematography. and in order to do this, we invited three graduates to geek, this is alexander kot, this is nikolay levedev and svevan fverdovsky, hello, hello, we as historians, of course, like to get to the very beginning, we will say, here are 105 years, 1919, the most inappropriate time to open the world's first film school, absolutely inappropriate, at first they tried to shoot films right away, something worked out here, then the film ran out. the first graduation took place in the twenty-seventh year, that is, 8 years have passed, and if we talk about such cult directors, actors, cameramen

this is the podcast witnesses from einstein and its leading film historians, natalia ryabchikova and little-known or... forgotten soviet films, we talk about how you can watch them in a new way now, how to find more in them more fun. today we will talk about soviet-italian cinema connections. there are several wonderful anniversary dates, the centenary of the birth of marcel mastroianni, one of the most beloved actors of soviet viewers. sofia loren, sophia loren or sophia loren, turns 90 , as soviet viewers knew her in different ways. and another date is 55 years since the film sunflowers was shot in moscow, where mastroianni and loren just happened to be filming. i am doing this for an italian woman, do you think she will like it, it is a wonderful gift, i i think she will like it, today we will talk with a person who embodies for us these very soviet-italian cinematic connections, this is laura guera. hello, hello. so, maybe sofiaren is not 90 years old. you know, when i came to italy, everyone was for these wonderful beauties, women full of talent. and really sofia was then just a