and we are discussing the film sergei eisenstein ivan the terrible, i will throw the story natalya ryabchikovand with me in the studio my colleague kinoet, artyom, what happened next film shooting. actually, they began in february 43 and the tension continues on 43 44, and the fact is that at that time the studios evacuated to alma-ata gradually returned, but it was no longer necessary to interrupt the shooting in the middle, as it was in the forty -first, and here it was already being produced . planned in such a way that the director of any eisenstein finishes the film in alma-ata and starts a new one in moscow. today i didn’t finish and didn’t finish, because the long and difficult shootings had already actually all returned to moscow from einstein, he was already one of the last to stay in alma-ata in the forty-fourth year , because the question arose that one series was needed finish before others. and it’s important that in almaty 3 episodes were filmed in parallel and, uh, here, after all, uh, they completed filming, the missing prices of the first series returned to moscow in the fall

air podcast zizenstein, 125, e and in the studio film critic artyom sopin and film historian natalya ryabchikovaivan the terrible, which is not only one of the most notable paintings in the work of einstein himself, but is probably one of the most significant films, in principle, in the history and culture of the xx century, because this film, which has collected a lot of features of different types of art. actually, thanks to this film, including eisenstein, he proved that cinematography is a full-fledged part of the world pantheon of arts, together with older views, painting, literature, theater and ivan the terrible, we see how many features are intertwined. in addition, this film, of course, is historical in different aspects. interesting historically, not in the sense that in that long history when he was filmed and even more so in that long history, which relates to our interests. uh, in the story of how historical science is now developing and, in general, ivan grozny is involved in this not only scientifically. how much from an artistic point of view, of course, because ivan the terrible

it was a podcast of einstein's witnesses and i and the future, stanislavsky, my colleague, natalya ryabchikovabout russian cinema and why, in general , it is worth watching it today and how you get pleasure from it, if yarmolnik was a guest thank you very much for coming and telling a lot of interesting things. all the best, goodbye. batnikova director writer, today my guest is oleg demidov, poet, critic, literary critic and ekaterina dvigubskaya director writer, we will discuss maringov and his roman price tags. maringov is the second leader among the circle of imaginist poets, the most famous of them is sergei yesenin, but nevertheless maringov is also quite famous, and he begins to try himself as a prose writer after the success of the poetic. uh, roman of the cynic comes out, but it comes out in the german publishing house petropolis, uh, in 1928. and it calls some scandal. after that, the novel is banned by soviet russia and comes out again, only in the eighty-eighth year. oleg please tell me why it happened . it is necessary to enter into such a historical and cultural context and unders

[000:00:00;00] on ivan the terrible and i am the history of cinema natalya ryabchikova and with me in the studio my colleague film critic, artyom sopin, artyom what happened next the shooting of the film uh, about uh, actually began in february forty-three and uh, continuing tension 43 44 and the fact is that at that time the evacuees in alma-ata studios were gradually returning, but , uh, there was no longer any need to interrupt the shooting in the middle, as it was in the forty-first. and here they already planned the production in such a way that a director finishes a film in alma-ata and a new one starts already in moscow zinshtein. today i didn’t finish and didn’t finish, because the long difficult shootings have already actually all returned to moscow from einstein, already one of the last ones he stayed in almaty in the forty-fourth year. and uh, because the question arose that one series should be completed before the others. and it is important that in almaty 3 episodes were filmed in parallel and, uh, here , after all, uh, they completed filming, the missing prices of the f

natalya ryabchikova podcast from einstein 125. goodbye. all the best.y day. in accordance with the decision of the president of the russian federation , the main naval parade will be held . i congratulate you on the day of the navy. solemn parade on the day of the naval fleet on sunday july 30 on the first

it was podcastenstein 125 in the studio were the history of cinema natalya ryabchikova and cinema.e program podcast. i am maxim tronkov. and today i have a very interesting one. the guest has recently been very popular in russian sports. the theme of the change of sports citizenship, and we are visiting. european champion medalist of the world championships russian figure skater yuko kawaguchi yuka hello i am very glad to see you. we haven't seen each other for so long. although they competed for a long time, it seems to me that your story in the russian the national team, probably, perhaps the most interesting thing, let's start from the very beginning, how it happened that the japanese figure skater began to skate for our country, but it was i who wanted students. we first met in america and then she decided to return to russia to ride. well, it started like that, but you fell in love with pair skating around the same time that i saw the great care. haha, yes, and that is, you saw being a japanese figure skater in japan da nagano yes in nagano that is, in your homeland, you saw t

hello this is a witness podcast eisenstein, i am a film historian natalya ryabchikova and my colleagueut who and how created the famous famous cult forgotten and completely unknown soviet films. and why do we need to watch soviet cinema now. we are digging into the archives to understand how we can watch it now and how we can get the most out of it. hello, my name is stanislav dedinsky, i am a historian of cinema animation, and today, together with natalia, i will talk about why the day russian animation is celebrated on april 8 or march 26, according to the old style, when the premiere of the first russian animated film took place, which innovative viewers learned much later, and the film was the beautiful lukanida vladislav stareevich. who is vladislav starevich? what is a beautiful river? yes when did this happen at all? this is in 1912, when no one yet knew the word animation or animation, but some experts knew what frame-by-frame shooting was, with which you can frame by frame step by step animate some objects on the screen, well , let's say, turn the dolls with one handle in e, t

a huge screen with amazing sound in the cinemas of the country where we are film historians natalya ryabchikovabout who and how created domestic films, as well-known popular cult and unknown or simply forgotten unfortunately. today we have a podcast dedicated to the film it's hard to be god and we are talking about it with leonid yarmolnik. that is, the cosmos has become such a form of escapism. yes, at some point, yes , the soviet intelligentsia ran away from earthly problems with which they could do nothing, probably, perhaps, but in general, some kind of basic set. here are films about space. and you had before. well reference. yes, today it is called working. and in general, well, i repeat once again that cosmos and it only has to do with the fact that for me this is an actor's creative space, this is working with german. it was like for me, like flying in space. you really want to, but you don’t know anything and you don’t understand anything and you don’t know what to do when you came to herman ploschadok, and who did he offer you to be? that's what the task was, some references were anyw

and i am the previous stanislav dzinsky, my colleague, natalya ryabchikova, and we are talking aboutt about russian cinema and why in general it’s worth watching it today and how much pleasure you get from it, if it was a non-germanic guest who was already visiting. thank you very much for coming and telling a lot of interesting things. all the best, goodbye. hello this is a podcast of the psyche. my name is natalya loseva. i am a journalist and together with my co-host clinical psychologist , ph.d. in psychology, mikhail, we are writing a book of your judges. each chapter of this book is a huge great story . mother of three children tatyana asoyan of these same children, in fact lost tatyana i understand that your husband actually took your three children. and he did everything so that you could not physically communicate with them in any way, despite even the decision of the court so, yes, hello natalia, almost like that. actually, i came here to ask for help in the first place and tell my story, because i was faced with such a thing as parental alienation syndrome, when, after the

i remind you that this is a podcast of eisenstein's witnesses where we film historians natalya ryabchikova domestic films, both famous popular cult and unknown or simply forgotten unfortunately. today we have a podcast dedicated to the film. it is difficult to be god and we are talking about him with leonid yermolnik. well , that is, the cosmos has become such a form iscapism. yes, at some point, yes , the soviet intelligentsia ran away from earthly problems, with which it could not do anything, probably, perhaps, but in general, some kind of basic set. here are films about space. and you had before. well reference. yes, today it is called working. no, in general, as it were, well, i repeat once again that the only thing that matters to the cosmos is that for me it’s acting creative cosmos is to work with german. it was like for me, like flying in space. you really want, but you don't know anything and you don’t understand anything and don’t know how to be when you came to herman on the site. ah, who did he ask you to be? that's what the task was, some references were set, anyway they were

it was podcast siesenstein 125 in the studio were the history of cinema natalya ryabchikova and cinemathis is a podcast of the psyche, where we, together with the candidate of psychological sciences, clinical psychologist mikhail khors, continue to disassemble and reassemble the mosaic of human destinies. well, as we can, we inspire it to make the world more beautiful , calmer, your friends for joy. our today's heroine came to us with such a request. she has a daughter and a younger son. she adores her youngest son. but her daughter's relationship is not going well. she gets annoyed with her daughter and not very much, of course, she likes this situation. anastasia bakunina will tell us her story. hello anastasia, hello, i stated the correctness. yes, there is such a problem, there is a daughter. yes, i have two children and my oldest daughter. she is almost 10 years old and his son is 4 years old. a and c. in general, here with the advent of a son. yes, i really felt the contrast in the relationship with my daughter and son. if the relationship with the son is, well, such a musi-pusi,

hello this is a podcast of eisenstein's witnesses my name is natalya ryabchikova, i am the history ofanislav didinsky , we talk about who and how created the classic well-known, little-known, forgotten soviet and russian films. and today we have a program not quite ordinary not quite an ordinary podcast, because as a film archive. we have a living person today. we will talk about the film it's hard to be god by alexei yuryevich german and we will talk about it with leonid yermolnik. good evening. good evening our first question is of course should not concern films. we must approach him. we need to talk, of course. about alexei germany and cinematography alexei germana i watched the most. uh, naturally i love the painting the most. my friend ivan lapshin but little difference. e. checking on the roads i love the picture a little more difficult for me was the picture where yura zurilla played the main role, uh arhrustal in the car. yes, but then, when we were making a movie, it seemed to me that our picture was even more complicated from the point of view of the audience's perception.