course, when there is no time, sergey glebych suggested an epigraph for the play, the words of nemirovichd to be staged anew every time, taking into account the time, well, now i’m retelling it in my own words, i’ll send you, i’ll send you this epigraph and so that it is as a tribute to the words of nemirovich and just this epigraph, that’s all it’s with us that we can generally revive it , any czech you want. yes, mirovich bring everything to life for me, and he will say directly live, we can do all this now, any play by chekhov must be staged anew every time, we must approach it with our today’s eyes and feelings, it’s so good, we have decided this, all that remains is for us to decide how we can still release the play, what should we, all of us, do about it? well, okay, it seems to me that the moscow art theater today is such a small child, he is in his first steps and first years, and he came to play at the vakhtangovo theater, which at the moment is a theater, well, it is considered that the best theater in moscow, so we are taking the first steps, of course, that our theater will be

behind the music , you can’t hide behind the decorations, they’re not naked for anything, well this nemirovich’s, each time they need to be staged anew, taking into account the time , well, now i’m retelling them in my own words, well, okay, it seems to me that the moscow art theater today is the vakhtangov theater, which at the moment is a theater, well, it is considered that the best theater in moscow, this is what we do the first steps, of course, that our theater will be better, are not worth taking, not worth growing. the second is to play love in relation to women, love for me, then i realized that she was both dirty and cruel, with blood in half, jumping off a cliff, so gali extracted all this from me, tried to transfer all her experience to me, well done i say. the director wanted to take me out of the role three times during this entire period, not my worldview, shchepkin’s student, a very correct boy, probably a boy at that time, i understood that i i must give him my strength, i certainly learned a lot there. but i knew that i would not quit, i would leave then, who proved that you wo

nemirovich, a demanding artist, was in no way satisfied with the way gribov played the role of lenin.e role of lenin, was sitting at the table, there was a pause, he was just thinking. gribov did not succeed, according to nemirovich. you are right, you think about soviet peasants, soviet workers, said nemirovich, and vladimir ilich thinks every second about the working peasants of the whole world, because there are people who think about vain things, and there are people who every second think, well, no matter how pretentious it sounds, about space, about eternity. these people change the world and make revolutions in thinking, revolutions in technology, in consciousness and understanding of the world. and now, to announce the laureate, i ask the co-founder of the russian quantum center, ruslan yunusov, to come up to the stage. ladies and gentlemen, ruslan yunusov. i'll start with a phrase from albert einstein, who said: imagination is more important than knowledge. but do you know who brings imagination to life? well, of course, these are engineers. thanks to the engineers, we are wi

a legendary theater founded at the end of the 19th century by two geniuses stanislavsky and nemirovichnow, she has been an example of selfless service to art. it revealed to the audience many bright stars, actors and directors, and on the anniversary evening it brought together soloists from other famous russian theaters. for the first time , drama, opera and ballet were combined on the amkhatov stage. kristina levieva visited... for more than 30 years it was headed by tatyana doronina, her majesty an actress, integral, strong-willed, irreconcilable. join the theatre, live and die in it if you can. each production is like a part of world history, and this is already a new era in art, no romance, but only symbols, sketches, metaphors. ralanpiti set notre dame cathedral in paris in the era of hippies and beatles, his esmeralda has a completely different plasticity. i never thought that... that being a ballerina, i would perform on the stage of the moscow art theater, on the stage of the drama theater, and what it is like to love a genius, no one has ever looked at yesenin’s work from suc

mashkov, people's artist of russia, artistic director of the oleg tabakov theater, graduated from the nemirovicho school. since december 4, 23, chairman of the union of theater workers of russia. in 2018 he was a trustee. presidential candidate vladimir putin in 2018 and 23, candidate for the post of mayor of moscow sergei sobyanin. in 2020, mlysenka was repurposed to receive patients with pneumonia. specialists have developed patient routing schemes, improved algorithms for radiological diagnosis of pneumonia, taking into account the characteristics of coronavirus infection, as well as patient treatment regimens. for her successful work during the pandemic, losenko received the title of hero. labor of the russian federation. to other topics, russian troops on donets - lost two dozen strong points of dugouts, the liquidated western weapons are all the result of the actions of our southern group of troops in the donetsk direction in just one day. and the armed forces of ukraine again admit their insolvency and incompetence in conducting combat operations in winter conditions. there is nowhere to

theater school, but after 3 years he went to the capital and entered the school-studio named after nemirovichof the ussr. school studio mkhat. since 1987. since 1989, the actor has been actively acting in films, and in the 2000s he took part in several hollywood projects. in 1997, he made his debut as a film director with the new year's comedy the orphan of kazanskaya. since april 2018, after the death of people's artist of the ussr oleg tobakov, vladimirov became artistic director of the moscow tabakovo theater. in november 2018 , she was included in the presidential council for culture and art. on new year's eve , a kind wizard conjured miracles for everyone city ​​resident. and my dad built a real castle even without any magic. yes, we have a goldfish, but we have fulfilled the dream of owning our own home. the scooter itself, the holiday is you, i want, i can, i can, i want, i’ll get a cashback from a credit card, i want, i can, i can, i want, 200 days without interest. i'm not kidding, vtb credit card , pay less global village 799, pyaterochka helps out, oh, cool, oh, how many hotels the

gellerovsky and stanislavsky had something to do, although it would have been possible to take and nemirovichtricks, yeah, uh, a fascinating story, the history of such a movie, in which... i want to act again and again, firstly, i really love gelerovsky , i really love canandoyl, there is such an amazing connection, i really liked the script , you know, we had such a funny evening after filming, when they say, that ’s it, thank you, the actors are getting ready, and i say to kostya kryukov, imagine, right now, and we were filming... right now i’ll go in this makeup, in this costume, there, three houses away, house, in where zhilirovich danchenko, there is still a museum there, an apartment, i was in it several years ago, everything was preserved, right down to the small comb with which he combed his mustache and beard, i sat in his chair, not thinking that i would play him, i said, imagine, here... let's go there and i won't just ring the doorbell , i’ll open it with the key, i’ll start to open it with the key, and there the museum staff will tell me that who? i’ll say, i came home , they loo

but after 3 years he went to the capital and entered the nemirovich danchenko studio school at the moscowhat studio school. since 1987, vladimir mashkov has performed at the moscow theater of the oleg tabakov studio. played more than one and a half 10 kings. since 1989, the actor has been actively acting in films. in 2000 he took part in several hollywood projects, in 1997 he made his debut as a film director by filming the new year's comedy orphan of kazanskaya, from april 2018 moshkov became artistic director of the moscow tabakovo theater. in november 2018 , the artist was included in the presidential council for culture and art. magic conditions, real rate of up to 15.5% per annum on a savings account at gazprom bank, your money works at any time, apply online at gazprombank.ru. gazpromk - time to make dreams come true. polysorp is always with you against poisoning, allergies and hangovers. it's time to drink polysorp. and here are our girls! gemini dragons are a great idea, don’t thank us, calm down, it’s difficult for ours not to notice, be sure where your loved ones are, geolocator

this is what i... can do, what i see, what is familiar to me, to exist like this, stanislavsky had nemirovicht kind of hamlet you are, you are short, to which chekhov said, i will grow up, i will grow up, this is your height , growth, it is very important, growth is not physical, spiritual growth, that is , in order to play so simply speaking about the body, you don’t have to strangle someone, but you can compose how you would do it otherwise. there is an interesting recollection of sergei izenshtein, who saw him in his youth, he had just arrived in moscow, the beginning twenties, sees him in the theater, a small space, esenstein sits somewhere in the front rows in new felt boots, very brand new, looks fascinated at chekhov in some role, where he absolutely surrenders to it, the next day he meets chekhov where something with mutual friends, and chekhov says to him: what wonderful valinki you had yesterday, and this struck esenstein incredibly, because at the same time mikhail chekhov. i could be completely in the role, and a little behind it, i noticed everything, so it seems to me that we ex

this is what i can do, what i see, what is familiar to me, to exist like this, stanislavsky had nemirovichwhen he appeared at the theater, he said, i want to play hamlet, and they told him what kind of hamlet you are, you little growth, to which chekhov said, i will grow , i will grow, this height, height, it is very important, growth is not physical, spiritual growth, that is , in order to play, simply speaking, but the body, it is not necessary to strangle someone , but you can write how you would do it, there is an interesting recollection about chekhov by sergei zenshtein, who saw him in his youth, but... just arrived in moscow, early twenties, sees him in the theater, a small space, ezenshtein is sitting somewhere... then in the first rows in new felt boots, very brand new, looking fascinated at chekhov in some role, where he absolutely surrenders to it, the next day he meets chekhov somewhere with mutual friends, and chekhov says to him: what wonderful vallinki you had yesterday, and this struck isenstein incredibly, because at the same time mikhail chekhov could to be completely in

this is what i can do, what i see, what is familiar to me, to exist like this , stanislavsky had, nemirovichng galaxy of actors in hollywood, and he, when he appeared in the theater , he said, i want to play hamlet, and they told him what kind of hamlet you are, you are short, to which chekhov said: “ i’ll grow up, i’ll grow up, this height, height, he very important, growth is not physical , spiritual growth, that is, in order to play , i’m just saying, but the body, you don’t have to strangle someone, but you can compose how you would do it, there is an interesting memoir about chekhov by sergei izenshtein, who saw him in his youth, just arrived in moscow, early twenties, sees him in the theater, a small space, sits somewhere in the front rows in the new ones... very brand new , looks bewitchingly at chekhov in some roles where he gives himself completely to her, the next day he meets chekhov somewhere mutual acquaintances, and the czechs, he says to him: what wonderful valinki you had yesterday, and this amazed stein incredibly, because at the same time mikhail chekhov could be completely

theater, a legendary theater founded at the end of the 19th century by two geniuses, stanislavsky and nemirovichs her impression. the gorky moscow art theater repeats the lines: the best voices of mikhailovsky are sung, the big stars are warming up. at the concert in honor of the 125th anniversary of the moscow art theater, everything was as bequeathed by konstantin stanislavsky, who dreamed that the brightest people in art gathered on one stage and all genres reigned. artyom ovchurenko and anna tekhamirova, husband and wife backstage today, are performing tango on pointe from the golden age, the great grigorovich. but it was he, being an innovator of his time, who allowed ballet dancers to reveal their acting potential, which means that the main principles of stanislavsky are used, the game here now and the vital truth of the stage. tanga is such a very dramatic dance, i would say passionate, passionate, we will convey all the passion that is in our relationships, in life, the concert in honor of the important date was opened by the great svetlana zakharova in the daring image of carmen. once u

after tsedendzhapov begins a tour of the stage of the musical theater named after stanislavsky and nemiroviches of abstractions or some similar phenomena in international art, whether in american or european art of this time, they prove that our artists at that time in some certain aspects were at the same level or even ahead of international art, despite the fact that this was done in absolute obscurity. underground and , in fact, then for many years it was simply stored in their homes, useless and unclaimed by anyone. mskolovsky drama theater named after pushkin shows the premiere production of nikita kobbelev's frog based on the novel by the chinese writer, nobel prize winner mo-yan. the first galina vishnevskaya festival continues at the hermitage theater with tchaikovsky's opera eugene onegin in the premiere production by vladimir vasiliev. scenography by yuri kuper, conductor-producer dmitry yarovsky. festival context dianovich. presents on the main stage of the tovstan bolshoi drama theater a duo performance to the music of alexei ritinsky and choreography by pavel glukhov. performed b

culture theater tv channel, they perform the main role of tosca on the stage of the stanislavsky and nemirovichical premiere of the production. based on the prose of eduard kochergin, the characters are played by svetlana kolpakova, nadezhda zharycheva, ksenia teplova. the kolumenskaya museum-reserve presents an exhibition of sovereign kolomenskoye, architecture and nature in the works of german orlov. the exhibition includes about 100 watercolors by a professor from the moscow architectural institute, which help to appreciate the landscape of the architectural monument and understand zotchikh’s plan. to the comedian uncle's theater vanya a play by anton pavlovich chekhov in a modern interpretation by evgeny serzin. starring. pavel chinarev, oleg khrizantsov. the baltic house theater festival is showing the premiere production by natalia indeikinkina based on the story the queen of spades by alexander sergeevich pushkin. at the kamisorzhevskaya theater performance by roman gabrio obaron menenhausen based on the play by grigory gorin, set design by anvar gumarov. and in the theater the workshop