we need to create technology that allows us to visualize and measure brain functions in an affordable, accurate, and an accessible manner. in our scientific careers we have seen over and over again, seemingly impossible puzzles solved by young, fresh, thinkers. they don't know the rules. they don't live in a box of assumptions. and therefore, they are free to imagine. and that is why we are so thankful for jim and ron and the sandy hook promise. and owe them a great debt of gratitude because this is what they are asking for. they are asking for people to imagine. first, imagine what it is like to lose a loved one at the hands of a deranged gunman and let that motivate you to do something. imagine that we can identify people at risk of violent behave ors early in their life and intervene, imagine the communitis that support one another. embrace diversety and recognize the value of brain health and then let's go to work. let's create technology that allows us to visualize, and measure brain functions in an affordable, accurate and accessible manner so we can change the landscape of brai

wide initiatives, but not city wide but the initiatives like the planning process that helps us to visualize what san francisco was evolving to become, in terms of the mix of businesses and residents and amenities. i think that we have other policies that were being addressed through ballot members and workforce development provisions as well as affordable housing and for the people who live and work in the city. and in addition we had the evolving understanding of the new structure financing district, financing tool that really presents the opportunities but also challenges in that had had not been used in a way that i think was so directed towards development like this one and i think that a lot of thinking has gone on during that time that has really improved the project as it has been brought before you today. with the continued build out of projects within this area of the water front, which includes obviously pier 70 and the proposal at pier 332, and the ongoing projects that we see out there, and for example, mission bay which is coming into focus which shipyard candle stick is doing

use technology to prevent another tragedy. more than 20 venture capitalists believe technology can lead the way. >> we can certainly turn our attention to innovating around safety. >> we need to create technology that allows us to visualize and measure brain functions in an affordable, accurate and an accessible manner. >> reporter: on this three-month anniversary of the shooting, families are still in tremendous pain. >> three months ago today on december 14th, i held his little hand as we walked to the bus. kissed him goodbye. for as you know, would be the last time. >> last friday would have been dylan's 7th birthday. >> reporter: but they are gratified that the it tech community is helping them work on a solution to a national problem. >> the role we can play is in addressing the problem of rampant gunfire that takes place across the country. >> reporter: those venture capitalists expect to raise a huge amount of money and they expect a lot more companies to join them in their fight against crime. reporting live in san francisco, i'm cheryl hurd, nbc bay area news. >> thank you. >>> we can connect you with the local organization trying to help end gun violence. just go to our website, nbc bay area.com and search sand

i think that it is important for us to see visually. >> i think just to that last point, it would be helpful to get these in advance so that then we have, you know, for us and the public to be able to review and we don't have to go bullet by bullet. i am glad that hear that we are not going to need to try to contemplate a full budget adjustment at the next meeting because we will not be ready for that. what would be helpful in addition to what the previous director's mention, one would be an understanding of what the change process is within the program. i don't know if there is a change board or a configuration board. because it seems like there is a lot of things that have kind of moved along the course of the program, and it would be helpful for us to understand how those things get vetted and if we could cover that at the next meeting and we seemed to have stopped getting or receiving the monthly reports which was the one thing in writing that they were getting each month. maybe i missed it. i don't feel like i have seen one in a couple of months and that would also help with my u

us to join them. here bernini created a visual sensation by making a literal portrayal of a woman in ecstasy. om time immemorial, mystics have used the vocabulary of earthly love to convey their feelings to others. communion with god is like communion with the mother, only infinitely more so. in her autobiography, teresa describes the famous vision of the transverberation. "in the angel's hands, i saw a long golden spear, "and at the end of the iron tip, "i seem to see a point of fire. "with this, he pierced my heart several times, "penetrating by entrails. "when he drew it out, he left me completely afire with a great love for god." the prime tenet of christianity is that god created the world out of his love for humanity. bernini made love and creation the key to his chapel. [michael wood] baroque architecture follows different laws from those of antiquity and the renaissance. gone is equillibrium and logic. instead, the framework seems to move. boundaries seem to melt and walls to dance. the stone seems to bend itlf to the will of the architect. the most willful architect of them all was fr

the university of alabama is using them to be installed as a visual signal to be used during lockdowns. >>> stay with us. anderson is back next with the "ridiculist." >>> time now for "the ridiculist." how many times has this happened to you? you go into a public rest room, and think if you can control the alternate universe with your own pee. well, you're in luck. in allentown, pennsylvania, the home of the iron pigs, there is a brand-new video game in the men's room. a streaming video, if you will. >> this is the pee-controlled urinal gaming system, you're a ski-mobiler, and going down the mountain side, and aiming for penguins. >> that's right, in this game your task is to ski down a penguin-infested hill, using the flow as your controls. >> okay, so this is tv, so i can't exactly demonstrate how this thing works. but we can use a catchup bottle to try. once we fill it up, you just step up and play. >> well played, sir, well played. hang on. people tend to drink beer at baseball games, sometimes lots of it. i'm thinking a ketchup bottle will be the least of their problems if the gam

used to be in your area or creeks and rivers that are now engineer channels. as an educator, i think this will be really helpful to use in my programs because you can visually seere the water goes. it's teaching about the fact of storm drains and you can show them and they can work with the schools themselves to really see and make the connection to the role that they play in storm water pollution prevention. >> the easiest way to get the module is to go to mywatershedwatch.org. 's. >>> welcome back. i'm jessica aguirre. more now with michelle rhee. we asked her about jerry brown's plan to overhaul funding. all districts would get a base amount per student but struggling schools would get more. does she see that as smart or fair? >> part is to give local control to the districts and the others to do that weighted formula where you get a base for all kids. >> correct. >> and then latino kids and poor kids would get money on top of that. >> correct. so the weighted student funding formula idea is a good one in that there are some children, because of the challenges that they face, it's going to cost more. it's going to take more resources to get them to where we

go i want to give a very special thank you to one of my producer shannon done here who's leaving us today shannon thank you so much for making the show visually awesome and an amazing woman to do so much. joined thousands of gadgets released into the world congress in barcelona. for research and handset makers try to get their groove back. and software super chargers hope to spin previous successes forward turns up the heat on google and despite a new twist on infotainment it's not just fun and games often overlooked video engines bring flawless streaming conferences to the palm of your hands and there's a new player in town looking to show that isn't that better than one on to the update here on. the contrary. when their own country can't offer them a living even loving mothers sometimes have to leave their children behind. i don't like to work just to bed long. dream of millions of migrants the children might choose their own motherland. i want my children to win over moscow. russia has become this stepmother land. to find a way home. this is trash to get rid of. but it's also a treasure. it's worth fighting for. and a trap with no way out.

go i want to give a very special thank you to one of my producer shannon don here who's leaving us today shannon thank you so much for making the show visually awesome and an amazing woman to do so much. live. live live. it's technology innovation all the.

. >> we want to make the bible come to life with fresh visual imagery for this generation. so we gathered to ushe best in the business. we have the best cgi, an oscar-winning team who created the special effects for gladiator. >> and portuguese actor diogo morcaldo plays the role of jesus christ. >> reporter: when you were approached about doing this role as a performer, as an actor, what went through your mind? >> i think the first thought was, i can't do it. honestly. it's like, this is too much. >> you will all fall away. >> we're not just telling a story. we're trying to touch people's hearts. we're telling a story that people live by. i grew up knowing the bible. i grew up believing in jesus christ. so with the fact of my own faith and my own beliefs getting involved, it is like how can i do someone that i know so well? what should we do? should we go to the thing that people know about our just sharing your own experience? so i think i try to do it both, a little bit. >> reporter: in their years of successful work in hollywood, mark and roma say this project is one of the most powerful pr

to us by the painstaking work of conservators here. and yet the painting has suffered so much damage over the centuries that it is bound to remain a ghost of its form%r visualplendor-- compelling, evocative, but also elusive. it makes a poignant visual metaphor for the fragmented image of the renaissance that's come down to us, and it also serves to remind us of the insuperable practical difficulties that sometimes separated an act of high artistic imagination from its concrete physical realization in actual works of art. with the last supper, the problem was that leonardo had the ambition of developing new methods for wall painting, and from a technical point of view, that turned out to be catastrophic. the painting began to decay as soon as it was finished. in other heroic enterprises, like michelangelo's tomb for pope julius ii or bramante's designs for the new saint peter's, the ambitious scale of the project itself doomed it eventually to iompletion, reduction, or transformation. yet if we look carefully at the fragmented remains of the last supper, we can discern a complex work. christ sits stable and calm at the center of a storm. the disciples surro

go i want to give a very special thank you to one of my producer shannon done here who's leaving us today shannon thank you so much for making the show visually awesome and amazing miss you so much. when their own country town to offer them a living even loving mothers sometimes have to leave their children behind. i don't like to work just a bit longer. is the dream of millions of migrants that their children might choose their own motherland. i want my children to win over moscow. russia has become this step motherland. migrants working hard to find a way home. there is is trash to get rid of. but it's also a treasure. that's worth fighting for. and a trap with no way out. of it. live. the speed. limits.

go i want to give a very special thank you to one of my producer shannon donahue who's leaving us today shannon thank you so much for making the show visually awesome and amazing you so much. when they're in country for the living. sometimes have to leave their children behind. i do like to work just depends. if the dream of millions of migrants the children might choose their. room is nice. and i want my children to win over moscow. russia has become. migrants working to find a way. please can you please please please please please. please. more news today violence is once again fled up look these are the images the world has been seeing from the streets of canada look schank operations are live look. live. live. her mother let. them speak. to. her her. look. look look. look look her. mum is sleeping good. luck. mother lists. her. little mouth i know me a little.

park where crime rates had gone up, all done on leaine the university of alabama is using them to be installed as a visualay with us. ♪ [ construction sounds ] ♪ [ watch ticking ] [ engine revs ] come in. ♪ got the coffee. that was fast. we're outta here. ♪ [ engine revs ] ♪ [ engine revs ] oh, hi thehey!ill. are you in town for another meeting? yup, i brought my a-team. business trips add up to family time. this is my family. this is joe. hi joe! hi there! earn a ton of extra points with the double your hhonors promotion and feel the hamptonality. to tell real people about our new 15 under $15 menu! oh my goodness... oh my gosh, this looks amazing... [ male announcer ] 15 entrees under $15! it's our new maine stays! seafood, chicken, and more! ooh! the tilapia with roasted vegetables. i'm actually looking at the wood grilled chicken with portobello wine sauce. that pork chop was great. no more fast food friday's. we're going to go to red lobster... [ male announcer ] come try our new menu and sea food differently. and introducing 7 lunch choices for just $7.99! salad, sandwiches and more. the walmart low

to be just painted flats. you have the visual environment to create a tremendous sense of dramatic isolation and alienation. and that was part of the whole conceit of noir, of using lighting techniques to alter space psychologically. you can't underestimate the german influence in it all. and all the german expatriates who were filling the ranks of the hollywood crafts as well as director and writer. and they brought with them a dramatic and visual tradition that was very different from the more vaudeville or the more showman tradition of american films of the time. (john bailey) fritz lang did a trilogy of early gangster films, of the mabuse trilogy which had tremendous influence, not only in german cinema, but also in this country. even going back before that, "the cabinet of dr. caligari," the sets were built in false perspective. tremendous sense of light and dark contrasts. tilted angles, foregrounding of objects. these became very prominent, i think, in film noir. (abraham polonsky) objects are not things that happen to be in a room. objects are things that we deal with in living. so floors are objects. the position of people towards each other are objects.

to see something of substance. great acting and tells us something about communicating to the younger people and it's visual.ing that they look, if you study the revolution, you read the story about the evolution and then you click on the links about george washington being sworn in as the first president. >> i wouldn't say our country is polarized by religion but i think we stored it in the attic and replaced witness more contemporary which is pornography and other things that consume people's time. i think its rejection of truth. we are seeing the end of truth and embracing relativism which goes, once you let go of religion you let go the idea of absolute truth and therefore you have people who are worried about childhood obesity as their soul is starving. i don't know. >> bob: what you point right there. can we point some blame at that for, what 12 or 15 mass shootings last year. the crumbling of american society? >> greg: those things are awful, but they are rare and the worst one was six or seven decades ago right? the worst mass killing. we have killed way more people long time ago in major wars. i'm n

go i want to give a very special thank you to one of my producer shannon done here who's leaving us today shannon thank you so much for making the show visually awesome and amazing miss you so much. if. you. download the official publication to yourself and choose your language stream quality and enjoy your favorites. if you're away from your television well it just doesn't do so now with your mobile device you can watch artsy anytime anywhere. wealthy british style sign some time to. market why not. come to. find out what's really happening to the global economy with mike stronger for a no holds barred look at the global financial headlines tune into kinds a report. anything . alex thomas prime.

embarcadero and we felt that was cutting off a lot of the access to the visual characteristics of the bay here so we didn't find this useful and we moved the arena away from the embarcadero to reduce the impact and open up more views from the north-south or east-west directions and it's important to protect those corridors and we will talk more about that. this is the water mark and one of the buildings on the site and you extend that outward and the general corridors this is you what you get and this is the facades on bryant street and what they have and bay view and corridors like this. now if you put them all together this is what you get so those are the protected zones of views from private individuals from their residences and work and you see the triangle free of corridors. it's so far out it has less impact on the surroundings and that's where we chose to put the arena site itself but more importantly we know that the private views are important to consider and public views are important too so move along the main streets and the embarcadero you need access to the waterfront visually so putting the arena here in th

us in "culturewire." ♪ >> just a few steps away from union square is a quiet corner stone of san francisco's our community to the meridian gallery has a 20-year history of supporting visualrts. experimental music concert, and also readings. >> give us this day our daily bread at least three times a day. and lead us not into temptation to often on weekdays. [laughter] >> meridians' stands apart from the commercial galleries around union square, and it is because of their core mission, to increase social, philosophical, and spiritual change my isolated individuals and communities. >> it gives a statement, the idea that a significant art of any kind, in any discipline, creates change. >> it is philosophy that attracted david linger to mount a show at meridian. >> you want to feel like your work this summer that it can do some good. i felt like at meridian, it could do some good. we did not even talk about price until the day before the show. of course, meridian needs to support itself and support the community. but that was not the first consideration, so that made me very happy. >> his work is printed porcelain. he transfers images onto and spoils the surface a fragile she

we have to challenge our visual cult tower give us different counter stereo types to get our brain todifferently. >> well. yeah. you talk about the stress that is created when race is discussed and sort of anxiety around those conversations of we don't often know how to talk about it. you have people who disengage. don't want to ever bring it up. that's not helpful for a national dialogue. you have others trying to intimidate people. sort of invoke it in sort of a scary way. so what are some tips? some advice for how to have a meaningful conversation about race? >> well, one of the things we're trying to do there our new website, perception.org is create that conversation where we acknowledge both sides of the conversation. i think typically what happens is that if you are a white american, you enter a conversation around race. you're literally your executive brain sometimes will shut down. your defense mechanism kicks in. and you are so worried about confirming the fact that you understand that you hold these biases deep down. for many people of coloring entering this conversation, w

analysis, but we wanted to make sure that people experienced that in their real lives of it's not always the case that data is accurate. people know for more and lastly we used visualization and mapping. spreadsheets and documents just don't work and you have to create pictures and that was an informative part of that approach. it was a fun process and we enjoyed it very much. others took over after i was gone and i hope you see it was very informative to the plan. i will introduce the next speaker. >> thank you, peter. i'm john, the ceo of tyco, and trying to maximize the affordable housing for its resides and communities. i want to address finally the likely outcomes in about over the next 20 years, if you adopt this rezoning. what will actually happen in the real world? this is a major upzoning. both residential and commercial. it increases the build-out capacity of residential by thousands of units compared to today's zoning from 1990. and certainly will result many substantially more residential development, new market rate housing than would otherwise occur without it. commercially it loosens up the restrictions from the 1990's zoning substantially and add expands t

be doing to address the programming needs of those communities. 7 neighborhoods accounted for 59 percent of the graffiti, this is visually showing you how most of the graffiti continues for us to be concentrated in 7 specific neighborhoods. i'm going to have to turn the light off again. so this map is a sample of one of the maps that was created. so the original dots reflect where the graffiti was and the intensity of the graffiti that occurred in 2011. so the larger the dot, the more intensity the graffiti was at that particular location. the blue dots indicate how much graffiti or what the graffiti was at each location in terms of the incidents for 2012. so you can see from here, it's not -- i was hoping for a better visual, but in here in the hot spot neighborhood, this is one example where the hot spot neighborhood isn't as significant as the random area. the random area is showing more graffiti vandalism than the hot spot neighborhood, but the intensity is pretty clear. if we're going to tackle a neighborhood we need to be looking here, we need to be looking in here. so it's been very beneficial in terms of where we should be looking in terms of our programming. this i

just as our sources might lie to us as a journalist, the data might lie as well so we have to keep our suspicions up. but we can crunch lots of numbers to either visualize it, or we can actually use the data as the basis of our reporting. and a data editor is a service provider to the rest of the organization to see if that happens. >> now, this is a question i forgot to ask you today, so whoever this is is npr producer for the day, whoever asked this question. in january and february, we had a flu outbreak on the east coast, the midwest, we kept hearing about it in the paper every day, ghoog l flu was telling us where it was, and apparently google flu overestimateed the outbreak. what happened? >> well, first of all, it's a prediction. the prediction tells you that 85% of the time you're right. that means 15% of the time you're wrong. and so being wrong is just part of being in the prediction game. then, of course, this is a die name you can world in which you need to rerun your models all the time because if cnn reports on flu trends or reports on the flu season, people might google the flu even though they don't have it. and so there's a feedback mec

to use the overhead? actually, i don't need it i have it on a separate file here. it's not the visual format that would be ideal. >> maybe i have something - if it's too difficult to share it goes along with the presentation. >> but we'll provided that data to you, we certainly have it available. in addition to the ryan white reductions that we've seen over the past two years we've also got reductions from our hiv prevention. in 2010 there was a relifetime that shifted funding away from certain geographical regionals that had success in parts of the country that were increasing and decreasing the effects of the epidemic. the impact is based on the new funding schedule san francisco will have used 40 percent of their grants for prevention between not that i'm aware of and 2016. at not that i'm aware of we're at $8 million but we're going to decline further >> i assume you'll agree with this but the cdc cuts are punishing san francisco for reimbursing infections. >> we're losing funding as a result of our skwek the flip side is there's a great need and that's the driver. >> the solution

next to the city is the derivative of the gps marker for this google location and i sort of transposed the numbers and used that. i wanted to connotate that virtual world and also there was a visual connection to the photographic heritage that was pretty wild. on top of this moment in time, there is also a breaking down of the imagery thaps in the google pictures themselves, most of these are lo fi and i chose that i guess because of the esthetics. it did not contain the same look as these and it also erode the truth and makes the lens a little bit blurry, it alters things from a technical point of view. so, you could see these pictures that sort of describe them as drive-by pictures that we are drive-by really captures this and not necessarily immersive in any way. it is literally a car driving by capturing a moment. some of this has been done in the past, walker evans took pictures out of a moving vehicle. in fact, strangely, right upstairs in the library before this talk i was looking through my side and i have on there a gallery from evans that is called drive by pictures and it is about 30 images of him flying down the road in mississippi and georgia and taking pictures of s

go i want to give a very special thank you to one of my producer shannon donahue who's leaving us today shannon thank you so much for making the show visually awesome and amazing will miss you so much. but. you know sometimes you see a story and it seems so you think you understand it and then you glimpse something else you hear or see some other part of it and realize that everything you. are is a big. let me let me i want to know we're going to let me have. question from. here on this network is when we're having a debate we have our knives out. but if you get this right it's a bad thing never again you're in a situation where be an itinerary to talk about your name and where. to. join thousands of gadgets gurus flocking to the mobile world congress in barcelona for research and handset makers try to get their groove back. and software super chargers hope to spin previous successes forward russia's yandex turns up the heat on google and despite a new.