karen archer in paris. yes. it's wonderful to, to be able to, to protect this cultural heritage. and it's the right thing to do. but how much does it cost and, and who pays? i mean, they're, they're in france and the country seems particularly passionate about certain aspects of it. it's cultural houses, do you have any, any problem finding donors that they're in front of you perhaps more fortunate in france than elsewhere in the world? well it's, it's a mixed system. because traditionally, france has been a very centralized country in terms of culture, in terms of historic monuments in that, but that is changing and they're quoting more along the anglo saxon model. now typically, typically with incentives like in the united states for private domes. so there is still state aid quite an important amount of state aid, but there's a mixture of private donors, of foundations, of companies that are interested in heritage as well. and as far as french heritage society is concerned, we have, we were actually found into, to help incite american donors to at g. i give to france to mainta