let them not speak, let them read and visit my drama by the director of the theater collective nikolai kolyadaian is coming. uh, i think yes, no, we 're done. only the first part of nikolai i will read a few lines. usually i read from a book, but here is an abbreviated text. uh, with excerpts like this, it's just that it takes less time, and from the cherry orchard from boring dramaturgy. chekhov is my favorite, because with the cherry orchard i have been sleeping hugging for decades. i love this play. and so, uh, as we, of course, remember, and who does not remembers, then he will know now and immediately forever that there is very much in your motive of hearing the motive of hearing that hears further. what is it, maybe there, not hearing the firs who speaks the day before yesterday. a tub somewhere in the mines well, in the slammed strings, finally, the most mysterious incomprehensible symbolically loaded, but here is the jewish orchestra, which is heard across the field, but it is very important that literally from the first lines this motif of heightened hearing changes absolutely everyth

you know several times there was no comes and says there was elk says, you understand that nikolai kolyada is a miracle worker. i need such a kolyada yes, it's good we have such an ecoda theater, i'll try to imitate, look. well, i have a different impression. hmm, in moscow we have in moscow. it's fashionable, it's cool. young faces. we are talking now, after all, about sverdlovsk and yekaterinburg, what kind of cultural center is this? so you got him to me, in general, young, apparently, age. yes, and there dmitri as you say, passionate explosions are so beautiful. yes, in the eighties, we formed dances. rock learned pompilius, pompilius, we have artists. many famous appeared balabanov appeared ural drama. here's the one i'm involved with. as a matter of fact, a lot of things i am very students. why did it work. but all the roots are from there. here, take it. for 30 years or more, everything has been going and developing and moving from there. from what i don't know. and how did it happen that i was in the theater institute of the city of yekaterinburg began to produce one after another,

our guest is nikolai kolyada hello nikolai but dmitry, here we are discussing behind the scenes withurse, here. eh, a lot could be attributed to you of all sorts of properties, because you are a man of orchestras - everyone knows this. you said that there would be cleaners and a cashier in the theater. well, yes, yes, i do everything, well, a private theater, so i do all the videos of some kind. uh, there is an answer. i write a play, put on performances. i'm heading i'll figure out the light about the costumes. i even write music dmitry i'm ashamed to admit it. well, really, but think it's a good life. well, write covers. yes, the plays, see for yourself. i mean , they don't have their own. i can't look at the ends. here are the conservatories that have already been made. i love to rehearse. this is to indulge. you will come to the process, indulge in laughing artists. let's do it. let's, just like in childhood from my mother's curtains of a stick. let's do theatre, let's do something fun. but when you sit down, you sit down, in the audience, you watch the performance is already rea

uh, after the end of this program, chernyshevsky changes , that is, nikolai kolyada becomes a tv presenterg to direct. this is the main the outcome of our conversation. and now, nevertheless, explain to such a skeptic and layman and not a director and not an actor, but, but a person who believes that the text in general , they very often need to be performed, explain what kolyada theater is not in the sense of an institution. and in terms of style, dmitry can do everything in the theater, that you don’t have to pay in 2 seconds, i’ll laugh. yes, here you are a student teaching technology at school, you know that there is technology there, there is acting. it's all possible to play an extension event adjustment, my god, thank god, but the soul is quieter, wait, let me i say, but sincerity can never be played in the theater, either it is there or it is not, goodbye. here in my theater, forgive me. sink real sincerity and i achieve it, if it is not, if it is not and there is no sincerity, everything everything is to hell, and that's it. the rest it doesn't matter, but again it was a bad word

let them not speak, let them read and visit my drama by the director of the kolyada theater nikolai kolyada and now our median is coming. uh, i think we're already bad. yes? no, we're done. only the first part of nikolai i will read a few lines. i usually go by the book i read, but here is the abbreviated text. uh, with such excerpts, it's just that it takes less time, and from the cherry orchard from chekhov's boring dramaturgy is my favorite, because with the cherry orchard. i borscht say sleep in an embrace for decades. i love this play. and so, uh, as we, of course, remember, and whoever does not remember will now know, and immediately forever, that the motive of hearing is very important there , the motive of hearing that hears further. what is it, maybe there are not hearing the firs who speaks the day before yesterday. a tub somewhere in the mines well , in a broken string, finally, the most mysterious incomprehensible symbolically loaded, but here is the jewish orchestra, which is heard across the field, but it is very important that literally from the first lines this motive of hei

nikolai kolyada is our guest hello nikolai but dmitry here we are discussed with you.on you? and, of course, here, uh, a lot could be attributed to you of all sorts of properties, because you are a man of orchestras - everyone knows this. you said that there would be cleaners and a cashier in the theater. well, yes, yes, i perform, well, a private theater, so i perform all some kind of commercials. uh, there is an answer. i write plays, put on plays. i'm heading to the light to figure out costumes. i even write music dmitry i'm ashamed to admit it. well the truth is, think off the good life. well, write covers, yes , plays, see for yourself. uh, in the sense of their paris no, i can't watch concerts. here are the conservatories that have already been made. i love to rehearse. this is to indulge. you will come to the process and laugh with the artists. let's do it. let's do it this way in childhood from my mother's curtain sticks. let's make a theatre. let's do something fun. but when the viewer sits down, he complains already ready to experience. so this is the public.

you know several times there was no comes and says there was elk says, you understood that nikolai kolyadahe miracle worker how are you? yes, kolyada is not needed such a kolyada. yes, we have such a good thing. uh, the koledoteatre would emulate the look. well , i have a different impression. hmm, in moscow we have in moscow. it's fashionable, it's cool. mass of young persons, we are talking now all the same about sverdlovsk, yekaterinburg, that's what kind of cultural center this is. so, you got him to me, in general, young, apparently, aged. yes, and that's where dmitry, as they say, so beautiful passionate explosions. yes, that's the eightieth year of the eighties. we have dances. rock. i learned pampila, pompilius, we got artists. many famous appeared balabanov appeared ural drama. here's the one i'm involved with. as a matter of fact, a lot. all in all i'm very pupils why