"shh, shh, shh." and if we made any noise, which, of course, we did, being children, this huge voice would thunder down-- it was very frightening. i mean, i used to be very scared of him when he played those. but if he was playing a comedy, then, of course, then he was the great father, you know, going for walks and the head was back, and he used to bring home-- any time he'd play broadway or come to hollywood and make a movie, he'd bring back the latest hit album, you know, from musical shows. and i remember when he brought back "guys and dolls." and thank god when he brought it back he was playing a comedy, because he then played the album to us and played all the songs. and we used to sing-- if you can imagine the three little british redgrave's singing, "i got the horse "right here," in three part harmony-- it was good, it was nice. you'd have liked it. you'd have put us on. >> coming from a theatrical family, was it almost, uh, in the cards that you would become an actress? i mean-- >> well, i fo

shh! just play quiet. now, shh. shh. shh. shh. [ spits ] is everything fixed? well, no, but everything will be back to normal in about six minutes. [ metal clanging ] it sounds like you've got a plumber that's not too experienced. he isn't, but only the young ones will make house calls. here. i picked up your pearls. when we have kids, you can't leave those laying around. they'll put them in their mouths. i've heard. 10 kids? that's inconceivable. no, no. kids are great. they are so much fun, just a joy to have around. [ crash ] mork: [ crying ] the plumber is crying? oh, uh, he brought his kid with him because he couldn't find a babysitter, so, um, just wait here. [ wailing ] oh. tell me what happened. moo-moo bit me! and then he came down here and attacked my knee. bad -- aah! [ crying ] oh, you are right. bad moo-moo for hurting morky. there. moo-moo won't hurt you anymore. mommy, mommy, you protected me against the bad moo-moo. yeah. now, come over here and sit down. to dry your tears. mommy can't dry your tears if you're sitting on them. there, there. [ bl

- shh. - what's he gonna do-- - shh. 'don't you shush me.' respect...is something i demand. perhaps, ten of the best will serve to enlighten you. (shark) 'mr. morgan?' this way. [clears throat] is this grip necessary? [sinister score] i think we will get along very nicely once you understand the nature of our discipline. ah! (shark) 'one.' 'two.' the ointment our doctor applied to your back will relieve the sting shortly. thank you for the concern. tell me something, captain. are you an american? i've lost touch with meaningless divisions of humanity long ago. along with a few other things. so, you're all dug in here, waiting for the war? and everybody else is staying up nights to keep from happening. it will happen, my friend. read your history. but when this war does happen, what makes you think that this group will survive? when the bombs explode, the ship will seal itself automatically, like a cocoon. (shark) 'and as you can see, i've had most' of the major interior section redesigned and rebuilt. to give us added touches of comfort and luxury sensation of living in a bu

shh-shh-shh-shh-shh. hey! over here. hey! mary: keith! look out! whoa! keith! keith: honey? (vehicle crashing) (maddie continues crying) (sighs) (door closes in distance)

bud: shh shh shh shh! (laughter) (laughter) bud: i don't know, but i know the easiest way to find out! here, grab my legs and don't let me fall. (laughter) (laughter) (laughter) kippy: hey what's in the sack, come on! bud: look at these binoculars! wow, wish i had some of these! hey they're not bad, for cheap ones. (laughter) kippy: why do you suppose your old man was hidin' 'em? bud: probably didn't want me to find 'em and ruin 'em before he had a chance to use 'em himself. (laughter) bud: i'd better put these back (laughter) (thud) (laughter) kippy: what was that noise? uh oh, did they break? bud: what do you think? boy, what a dope i am, i let 'em slip right outta the sack! kippy: yeah, but what are you gonna do now? bud: well i gotta get some new ones before dad finds out! hey, you got any cash? kippy: a buck maybe. bud: that's not gonna do any good. you can always raise some money selling something down at mad charlie's swap shop! why, he might even have some binoculars and swap you for somethin'. bud

shh-shh-shh-shh-shh. hey! over here. hey! mary: keith! look out! whoa! keith! keith: honey? (vehicle crashing) (maddie continues crying)

. - shh, shh, shh, shh. - they took her out someplace and took advantage of her. your daughter say that, or are you saying that? i'm saying what i saw on her face when she got home. those boys took advantage of her, and i want them arrested. - how old is your daughter? - she's 17, but she's slow. do you know if she has a knife or a gun or anything like that? no, no. step away from the door, please. annette, i'm detective simone. do you want to talk to me? [annette] i don't know. you do it. he's a good man. i don't want people mad at me. aw, you missed that boat, baby. you gonna shut your yap anytime soon, and let my partner do his job? annette, just unlock the door, okay? it's okay. put that down. but i want it. let her keep the doll. come on. you can bring the doll with you, annette. we'll go to the station house and we'll talk about it. [no audible dialogue] [russell laughs] i don't know, jimmy. i see some broken ankles in my future. no. no, i'm game. mm-hmm. uh, yeah. can i have cocoa? think you deserve cocoa, do you? let me see what we got inside, okay? i'll m

shh, shh. you got to hide. a moose. no. shh, shh. shh! whoa, stairway to the stars! shh. oh, uh... oh, hello, daddy. but mork called, and i kind of got to thinking about the way i acted. i was out of line and i want to apologize. oh, daddy, you don't have to apologize. you don't have to say another thing. well, i know i didn't have to, but i wanted to. you know, it's not easy being a father, mindy. someday you'll be a father. you'll understand. yeah. [ yawns ] oh, i'm really getting bushed. it's getting late. oh, yeah, it's, uh, nearly 7:30? we get to have these little father-and-daughter talks, you know what i mean, dad? just sit down right over here. you know, honey, i'm sorry if i'm a little overprotective about you and your boyfriends, but this mork -- i mean, he's a yo-yo. he's some sort of a creature from outer space. well, i know that's a strike against him, but he's really not that different. you should just take a -- oh, is that so? well, why don't you take a really close look? aaahh! oh, bummer. what's he doing here? daddy, don't get excited. i can explain. you lied to me

shh. shh. shh. shh. this is case num calendar in the matter of napier vs. degale. >> judge judy: thank you. >> byrd: you're welcome, judge. parties have been sworn in. you may be seated. >> judge judy: miss napier, you are a single lady? >> yes, i am. >> judge judy: you have one son? >> yes. >> judge judy: how old are you? >> i'm 28. >> judge judy: what kind of work do you do? >> i do hair, a hairdresser, and i'm a prep cook, seasonal. >> judge judy: how do you support yourself? >> i do hair. >> judge judy: for whom? >> for who? i work for myself. >> judge judy: you have your own store? >> no. i just have my own clients. i go to their house, or they

i'm still a little unclear as to why you put them in your vows-- shh, shh, shh, shh, shh, shh, shh.. we got a big night ahead of us. okay.

do you go. ( whining ) shh, shh, shh. well, that's a mighty long ride just to look for a missing girl. buy a lot of horse shoes with $5,000.0. yeah, i guess that's so. oh, you got a picture of her? man: yeah. jed. cut it from a st. jo paper. oh? well, haven't seen her. must be loco. must be. mind if we check the wagons? uh, no. no, help yourselves. man: thank you. come on, jed. uh, i like you boys to meet my sister. she decided to leave the plantation in virginia and move to california. sally jo... sally jo, honey... why, yes, flint, honey? i'd like you to meet jed prentice and tex hall. well now, i'm right pleased to make your acquaintance. seems that some railroad tycoon's daughter's run off to san francisco, and jed and tex here figure to beat the pinkerton men to the r well now, i'm sure they can do just that. yes, ma'am, if she's in the kansas territory, we'll sure find her. i'm impressed. truly, i am. yeah. you got folks in california, miss mccullough, ma'am? not folks, exactly. well, not yet, that is. you see, mama

- shh, shh, shh now. and i'm being chased by a band of diamond thieves. (chris) 'wow!' (solo) 'i want you to help me get outta here alive.' - yes, sir. - okay. you see the doors to the baggage area over there? black patch over his left eye, may try to sneak in here. i want you to position yourself at that door and keep a sharp eye open. - no, sir. - okay. carry on. get the ring. [dramatic music] [music continues] out ththe. [henderson grunts] d] uh! [dramatic music] uh. be a good lad.. ...and give this to your friend, mr. solo. - oh, but you're-- - now don't.. mustn't create a fuss now. let it be our little secret. go, boy. go. 'passengers to bergen, norway, on flight 316, gate 4.' 'final call.' [fast-paced music] [dramatic music] hi. hi. i thought we were supposed to be travelling companions. mm-hmm. or would you like to, uh, show me the picture of your mother? i don't guess so. oh, i see. okay. uh, if you change yourind, i'll be right up front there. mr. solo.. i, uh, i kinda told you a little story back at the airport. what kind of little story? well, it wasn't exact

shh. shh. hey, pop, what's that wagonload of junk doing in the yard? well, you see, dan perkins retired, and he sold it to calvin, and i bought it from calvin. how much? 70 bucks. $70, are you crazy, pop? that isn't even worth $20, how could you spend $70 on that junk? sit down, son. i got a little surprise for you. i don't want no surprises, pop. i'm starving. i've been working all day. i want food. pop, i want an answer. herince. see, i can breed him and get $1,000 a breed. er kitchen. no, what i mean is-- i know what you mean, pop, and i think it's ridiculous. i mean how do we even know that that horse is a thoug i got the papers. well, where are we gonna find mares to breed with him, pop? are we gonna take him on the "dating game?" stop trying to fight being a millionaire. look, if that horse is such a valuable thoroughbred, how come he's pulling a junk wagon instead of laying around on some farm between dates? you mean to tell me that horse is hot? grady, did you look general lee up? no. no, i didn't have time, fred. i rushed right over from the l

shh! shh! grady: ow! lamont: grady, would you shut up and get behind the sofa? esther: who did that? grady: oh, i'm sorry, esther. i thought you was the sofa. hey! will you sit down? just be quiet. shh! surprise! surprise! [grady laughing] hey! welcome home, pop! oh, fred! hello, donna. oh, fred. please, esther. my two favorite ladies out of a fairy tale: esther: well! beauty and the beast. why you want to insult me, fred sanford? have called you a pickle-headed, evil-doing heathen, but i didn't. that's right, fred, she didn't. and i could have called you a frog-eyed, fish-eating fool, but i didn't! and i could have called you a monkey-faced, fat-bottom gorilla, but i didn't. so now i will, you fat-bottom gorilla-faced ape. now, wait a minute now! this is a-- aunt esther, this is a welcome home party. everybody's here to have a good time. well, let's have a good time. what it is, pops. ask your mama what it is. i'll bet she don't even know. come on, pops. cheers. cheers? that what you want? yippee yippee yay yay! look who got out of jail today! come on, pops. yo

quark: shh! shh! shh! shhhh! computer, spotlight. drum roll! "welcome klingons." i see you're prepared for anything. never hurts. i take it you think the federation membership is going to be good for business? of course it is. this station is going to get busier than an alvanian beehive. i expect to do five times the volume in root beer alone. you see... it's all about foot traffic. the more people come in, the more they drink. the more they drink, the more they talk. the more they talk the more they let slip things that i shouldn't know and that... that always leads to latinum. perhaps so, but there is one problem. what's that? an ancient klingon proverb says "you cannot loosen a man's tongue with root beer." ( dry chuckle ) it is wonderful news, vedek mera. enjoying the celebration? as far as i'm concerned starfleet should accept a new member every week. and you, major, are you celebrating? you know, five years ago, i wouldn't have been. i didn't think federation membership was right for bajor. it hadn't been that long since the occupation and i thought it was i

shh, shh, shh! hello? yes, i'm back. now? yeah, but what about -- yes, sir. okay, i'll be right over. bye. [ sighs ] oh, god. mork... this isn't the way i wanted to start our week, but i gotta go meet the camera crew. a used-car dealer has been kidnapped, or cover the story. i understand, mind -- business before pleasure. but don't you worry. tonight when you come home, i'll give you magic. and if i can't get him, i'll get kareem. [ middle-eastern music playing ] [ singing in foreign language ] ? i remember you ? that was a little slim whitma-han. you're gonna love the next course. it's couscous and mahi-mahi. i got the recipe from lulu in walla walla. how she got the recipe, i'll never nalla nalla. there's no silverware. we're supposed to eat with our fingers? oh, yes, because, you see, all the silverware is used in morroco to tunnel out of prison. and careful there -- don't dip in the food. you can dip, but don't dip. take a piece of this and take some of this and put some of that in there like this. and then you savor the taste. [ chuckles ] oooh. ugh! ugh

bud: shh shh shh shh! (laughter) kippy: what did he hide? bud: i don't know, but i know the easiest way to find out! here, grab my legs and don't let me fall. bud: i didn't tell ya to break my legs! (laughter) kippy: hey what's in the sack, come on! bud: look at these binoculars! wow, wish i had some of these! hey they're not bad, for cheap ones. (laughter) kippy: why do you suppose your old man was hidin' 'em? bud: probably didn't want me to find 'em and ruin 'em (laughter) bud: i'd better put these back 'fore somethin' happens to 'em, be just my luck. hey, this time just hold my legs, don't fracture 'em. (laughter) (thud) (laughter) kippy: what was that noise? uh oh, did they break? bud: what do you think? kippy: yeah, but what are you gonna do now? bud: well i gotta get some new ones before dad finds out! hey, you got any cash? kippy: a buck maybe. bud: that's not gonna do any good. kippy: have you got anything to sell? you can always raise some money selling something down at mad charlie's swap shop! why, he might even have some binocula

(mumbling) - hey pete listen, if you got-- - [together] shh! from now on please try to be more punctual. basement. when the joint's closed, we finish the kid off. - well, i looked everywhere. he's just not any place around. - did you check the basement? - ah, nobody but a fool would paint in the basement. - he's in the basement. (audience laughter) - keep a suffering. (mumbling) - raise the left corner a little bit. now that's too much. raise the right one a bit. - hey pete, no glass. (peter mumbling) - peter? - [micky] hey pete? - [davy] peter? - [mike] have you seen pete? (peter mumbling) - [davy] peter? look, there's a mummy. - hey, there's son of mummy. - oh. - oh hi pete. - peter, peter? what are you doing out here tied up with a gag in your mouth? (mumbling) what are you doing here tied up with a gag in your mouth? - suffering for my art. - [davy] oh, isn't that nice. - that's a beautiful copy peter. - the man who painted that was brilliant. - [all together] that means they've switched the paintings. (ominous music) john, we're giving you

shh. remember, son, your headache. man, i've had this headache for 2 days. i'm going in the kitchen and take myself a headache pill. pop, do you know there's not a clean glass what? there's not a clean glass in the whole kitchen. i'll get you one. oh, never mind. i've had this headache for 2 days, man. well, listen, son. uh, maybe i can diagnose your case. what? i watch dr. wynn whitfield on--on death valley hospital all the time, and--and maybe i can help you. you're fooling around, man. i thought you were serious. now just leave me alone and let me get some shuteye, and i'll probably feel better after the pills start working, all right? i'll be quiet as a mouse. all right. since i had this headache, pop, ttle noise is magnified 100 times, so try and cool it, all right? not a sound. beautiful. just start cleaning up a little bit. [creaking] [creaking] [knocking] oh, hi, fred! lower your voice. [deep voice] hi, fred. come on. come on in the kitchen. hi, lamont! shh! [whispering] he's trying to sleep. he's had his headache for 2 days. uh-oh. uh-oh? what do yo

shh!! why couldn't we have gotten those designer robes? you know, the ones with the split up the side?! ow! shh! [ bangs ] [ gasps ] let's just find mearth and get outta here! you check up the stairs, and i'll look through here. wait, min, min... how about you check down here and i'll hide under your robe? [ gasps ] somebody's coming! who?! shh! ? ba ? ? ba-ba-ba ? ? ba ? ? ba-ba-baran ? ? ba-ba-ba ? ? ba-ba-ba ? ? ba-ba-barbara-a-nn ? ? ba-ba-barbara-a-nn ? ? my barbara ann ? ? my barbara ann ? so that's what happened to our old anchorman. come on, min, we gotta get these robes back or there's gonna be one judge looking real casual. man: you sweep up in here. i will go feed the love attack dogs. let's see -- ? everything is beautiful ? ? in its own way... ? it's worse than i thought, min. i hate that song. mearth, don't scream. it's us! ah! [ sighs ] mommy and daddy. i'm not mearth anymore, no. i'm baba swell. everybody here loves me. there were no flights. who came along but the babas...to save me. they were good to me. this place is lik

shh-shh. you should-- you should hear their plans for you. i'm gonna sneak her off the ship and get her on that island. she told me there's a british frigate looking for the pirates. i'll find out some way of signaling 'em. oh, that is a wonderful idea-- hey you! back to work. yeah, yeah, get back to work. aye, aye, sir. the iron will be hot in a minute. when it's through, i just can't wait to see her walk the plank. yeah, yeah. [chuckles] it'll be a billion laughs. [???] i don't trust that one. he has an honest face. aye, aye, mate. [gasps] shh-shh. i have a plan. i'm gonna get you off this boat. oh, how? heh? how? oh, uh, i want you to put on these clothes. we'll sneak you off this ship and over to the island. that british frigate you were talking about should be along any minute now. and we'll send up smoke signals. master? master? oh, hurry, they are coming after you. why? to kill you. oh, jeannie, they can't do that. i'm-- i'm the ain s bo. [both scream] what do we do now? we're gonna change our plans. [sword slashes] naagh! there they a

shh. calm down. calm down. >> theresa: you're as bad as dad, sneaking around. >> kimberly: shh. calm down.

- shh. he has an idea. i think its terribly important that the ambassador kurasov know who you work for, my dear colonel mikolavich donjev. [static] open channel 8. [beeping] alert section 4. photography and documents for an emergency operation. i'll be there in 15 minutes. you and i are going to have some very special pictures taken. illya, i want you to stay here. wait for mr. linkwood to return. and then bring him home alive and unmarked. must you qualify your requests? [dramatic music] [door lock clicks] [sighs] oh, no, no. 'i thought you'd be gone.' but where would i go? [gasping] you're dead. no. in which case, this should not hurt you at all. [grunts] [intense music note] i'm sorry about the rough stuff. in comparison with what he plans to do to you. however i might persuade him to allow you to go on living. provide you tell us a few odds and ends about mr. kurasov. 'about your intelligence apparatus.' [huffs and coughs] 'no?' that's a pity. would've been happier if you'd volunteer the information. '

>> shh. shh. whatever project i am working on. rain moving in. it may be cold enough tomorrow morning. there could be a pocket of ice developing. the threat will be out there. see what happens is, the moisture overruns. that is where you start to see wintry mix going on. the temperatures are not in boston, 39 degrees. the windchill index, feels like 31 degrees. there is the area i am looking at with a pocket here or there. if you want some accumulating snow, that is where we may see an inch of snow. tomorrow morning, the gray skies are out there. if a little bit of that moisture can override and get in pocket of icy stuff. the temperatures warm up. we start to see a new batch of moisture. cold enough with some elevation. in here it is warm enough. we are talking about rain moving in. it will appear that friday morning we will repeat it. look at these temperatures. as we head to noon, we are going to talk about scattered chances of showers out there. mostly cloudy. well northwest of the city. pockets of some morning mixed. there may be a sprinkle

shh. folks, i think i detected a little flat note there. well, perhaps i'm mistaken. but let's just try it again, shall we? hazel... ? welcome, sweet springtime ? ? we greet thee in song... ? no, no, no, no. shh. folks... i definitely heard it this time. someone is definitely singing off-key. now, let's just watch it, shall we? what? maybe i can help you out. i'll sort of move around, see if i can spot who it is. very good, barney. hazel... ( off-key ) ? welcome, sweet springtime ? ? we greet thee in song ? ? murmurs of gladness ? ? fall on the ear ? ? voices long hushed now their full notes prolong ? ( others stop singing ) ? echoing far and near... ? i think you cut out a little too soon. i didn't have a chance to spot who it was. keep it going. you sure he didn't follow you? oh, no. e back way. good. well, thelma lou, i guess you know why i called this emergency meeting. i'm going to tell barney to get out of the choir. now, john, you can't kick him out the very day you asked him to join. i've got to, andy, or he'll ruin the choir. well, there's bound to be another

willona, shh, shh. thelma's still writing. okay, listen, but you've got to hear this -- my daughter, penny, has been selected to play in the easter pageant. hey, congratulations, penny. very happy to hear that. and not only that. the costume will be styled and designed by the one and only, her mother, the star's mother. whoo! what part are you playing, penny? i'm a tree. i wanted to be a bunny, but they ran out of ears. oh, a tree, huh? so now, when you trace your roots, all you've got to do is take off your shoes. oh, come on. please be quiet. come on, j.j., now. i have to finish this one part. it's the most important part in the whole play. it's where the heroine talks about her dream. you know, it's -- and i can't even hear myself think, with "the gong show" going on in here. thelma, honey, don't you think you're going a little bit overboard? after all, you've just been writing a very short time. willona, i have been writing for at least a dozen years. let me show you. thelma, writing on the elevator walls leave the child a

>> shh, shh. >> come out of there, quick. >> hey, he's the killer, cisco, the one the sheriff is looking for. >> please, i-- i'm not a killer. i... >> help me, pancho. >> the next thing i knew >> did mr. lacey have other enemies? >> i don't know. he was a cantankerous old goat, but i don't know of anybody who hated him enough to kill him. >> hmm, except you, maybe. >> i suppose i amm the logical suspect. i can't blame you for not believing me. >> but we do believe you. >> we do? >> you stay here out of sight. pancho and i will l e what we can find out. come on, pancho. ?? >> ms. lacey? >> yes? my name is cisco. this is my good friend pancho. >> won't you come in? >> we are in. >> well, won't you sit down? >> thank you. >> sit down, please. where is bill? is he all right? >> he is safe. but it looks very much like someone has framam bill. do you know who it could be? >> well, everyone liked bill except my uncle, and he resented him because of an old feud he had with bill's father. >> is there anything that you can tell us that might give us a lead? >> well, this may not have any bearing,

shh. oh, pardon me? well, as a matter of fact, there is someone else. i spent most of the afternoon at her house. she's a singer. dennis introduced me, and she made an immediate impression. i never met anyone quite like her. thank you very much, mrs. elkins. i wish only the best for you too. goodbye, mrs. elkins. hey, miss cathcart. guess what grandpa said about you. [music] that's what he said. and everybody said i was wasting my time taking those singing lessons. i'm home, and look who i've got with me, good old miss cathcart. grandpa, where are you? dennis, don't shout. hello, miss cathcart. hello, mrs. mitchell. where's grandpa? i thought he was in here. irs? i haven't seen him. hello, miss cathcart. hello, mr. mitchell. well, if you don't mind, i'll just sit and wait. margaret: dennis. oh, dennis. oh, no. margaret: dennis. grandpa, what are you doing in here? [music] [music] hi, mom. hi, dad. dennis, how many times have i told you not to slam-- are those the clean overalls mrs. mitchell: i put on you this morning? i put them on, mom. all you did wa

shh! we do not speak until we are spoken to. [ glass crunches ] her majesty expresses her appreciation, your bringing her the evening paper. [ crunching ] an aunt of mine. thinks she's queen victoria. i knew you had one peculiar aunt, but, uh... two. they try to outdo each other. sort of friendly competition. a million dollars. would it be asking too much of you to, uh, keep the...royalty out of sight while mr. morgan is here? oh, yes, larry. i understand. good. well, uh, then i'll see you at 5:00 with mr. morgan for cocktails. good, larry. bye-bye. [ sighs ] clara: good news! i hope so. she likes your bedroom. oh, that's nice. she feels the same about the 20th century as i do. now we're gonna get some action. i hope not. what are we, victoria regina, queen of the united kingdom of great britain and ireland, empress of india, what are we doing in the 20th century? in straightening things out. oh! we accept the divine right of kings as a divine responsibility and duty! clara, fetch us pen a

yeah, i don't know what she's doing, but she's-- shh. i hear her now. i hear her. now she sounds like she's running downstairs. oh, lamont. you know what? now, if she's a true wilson, she might just be coming through in a pinch. what? you know, some people are like that. they can't get going unless there's a crisis. you know, like nixon. you see what he's doing there? let's get downstairs and see if she's in the kitchen. ok. emma? she's gone! hey, her bags aren't out here, she must be gone. oh, yeah, grady! i got to hand it to you, we did it. well, you know, i come up with a goodie every now and then. put it there, grady. yeah. ok. now we can have our supper. good idea. how about some fried chicken wings and rice-a-roni? rice-a-roni and fried chicken wings. hey, the fried chicken wings and rice-a-roni is gone. she did what? yeah. well, what the heck, grady. look, man, it was worth it. at least we got rid of her, didn't we? yeah. that's right. what's the matter with you, grady? i don't know, but i'm beginning to itch. well, stop, 'cause you making me itch. you think

i'm gonna finally shh shh, look! i've never seen a colt that beautiful. dutch farmers brought 'em here about 100 years ago. d. the prophet says that even ththnatives are afraid of them. you know why? no! they can't c cch 'em. he's beautiful. can you imagine?! even in a place like this! wild horors! i'm gonna catch him! ? hank! you can't! ? you alright? who is it? i don't know who it is, hank. there might be some more of them. we better move outta here. i would've killed him. but you didn't. now, let's go. ? oh well, i want to be in that number ? ? when the saints go marching in ? ? oh, when ththband begins to play ? ? oh, when the band begins to play ? ? oh well, i want to be in that number ? ? when the band begins to play ? ? oh, when the saints go marching in ? here we are. this is sunrise! this used to be sunrise a long time ago, i guess. it's over. it's all over. mrs. mcleod. first of all, mrs. mcleod, may i extend my deepest sympathy.y. i'm sure my government joins me in expressing at? well yes, of course, whitehead here. we just got the news, mrs. m

shh. calm down. calm down. >> theresa: you're as bad as dad, sneaking around. >> kimberly: shh. calm down. calm down. hush. hush.

>> shh! >> hello, house, we are back. >> shh! >> the coast is s ear, nebraska. your having me watch the house is gonna pay off. i just saw 'em all ride out, except the foreman.. he's in the bunkhouse. >> come on, we're gonna go after that money. it's cisco, playing possum. don't you make a move! throw your gun across the room! >> get 'em up quick! >> catch! >> just a minute, george. >> what in blazes? i thought i said-- >> we didn't leave at all. we was watching you. ?? >> there are your killers, miss, and there is theheecret way in and out of this room. >> what you want to do with them now, cisco? >> take them to the bunkhouse, pancho, and tie e em up. >> all right, pull yourselves all together. suspecting you. >> it's all right, cisco, i guess i did act a little stupid. >> oh, the picture! i hope it isn't ruined. uncle will prized it so highly. >> yes, i always had a soft spot for chief yellow hair. >> chief yellow hair? >> that's the name the indians gave him. >> there you are, mary. here's the paper. it got your name on it. >> it's a map. >> why, , you're a

both: shh! you know, i-- i been thinkin' that we give him a name. how about buck? that's what grow up to be anyway. let's see now. mr. mccullough brought him to us... well, saturday. yes. saturday! anrs... angel. that'd be ame. sure! saturday angel. satuel. major adams: wagons, ho! we're makin' camp here. how's saturday been? well, he's been a little fretful. you know, he wke his milk this mornin'. oh, well, sometimes they fret for no good reason at all. just look at that diaper. ha ha! did you ever see anything like it? ke he's got spotted fever! you know, it might be a good idea to boil the milk from now on anadd a little syrup to it. they're just like us. they get tired of ood all the time. he don't take his milk? he's perfectly a mrs. hogg. all children get ety over their food. mine don't, unless'n they're sick. what's all them spots all over his belly? is morning, but i thought it was from all the heat having. i'm sure it is. my little onhave it. or it's measles. and if it is, it's gonna spread. my kids had it, but st be folks on this train ain't, and they's t

shh! he is there, somewhere. i feel it. captain's log, supplemenenl. now motionless for 9 hours, 47 minutes. at least? thank you, yeoman. bring it to the bridge. i'll be there in a moment. yes, sir. i wish i were on a long sea voyage somewhere. why me? and i see the men waiting for me to make the next move. and, bones... what if i'm wrong? captain-- no, i don't really expect an answer. but i've got one. something i seldom say to a... customer, jim. in this galaxy, there's a mathematical probability of 3 million earth-type planets... and in all the universe, 3 million million galaxies like this. and in all of that, f each of us. don't destroy the ononnamed kirk. [alarm sounds] what-- it's all right. it's all right. we have him. move toward him. power on. reverse course. he'll try to slip under us. lateral power, sir. coming around, sir. phasers, fire. phasasers, fire. how, commander? how? he's a sorcerer, thth one. he reads the thoughts in my brain. our fuel supply all but gone, and he stays out of reach. we are beaten. can it be true? perhaps we can ye

and, shh, not a word to major nelson. yeah, not a word. shh. guess i'll be-- oh, hi, roge. i'm sorry. i overslept. do you know something? huh, what? you should've stayed in bed. i would never have thought of major nelson for this. ah, well, frankly, neither did i, sir. it just came to me out of the blue. do you think he can get a top entertainer for friday evening? well, if he can't, he knows someone who can. uh, he's really quite anxious to head the committee, though. oh, strange. he never said a word to me about it. well, you know how modest tony is. but he'll come up with someone great. ah, major nelson. yes. i just want to express my appreciation. your appreciation, sir? for volunteering to take charge of general peterson's party. i haven't had a chance to tell you that-- for volunteering to take--? . oh, major healey told you that, did he? thanks. we were considering using some of the amateur talent around here, but with all the people in show business you know, that won't be necessary, will it? people in show business i-- i told you he's modest. ha-ha-ha. i don't know

shh. anna's sound asleep. you know why i saved you at that creek? ... ...and i figured to myself, i said: "caine thinks i'm gonna get myself killed," right? mr. mcburney... ...why do you need such a large wagon... ...to carry mrs. mcburney to the burial ground? why? because she's a big woman. ...for a common thief? mistake me? i'm a horse thief, four times over. now, mcburney, if you don't want to get it took off... ...just north of the hairline... you are shaolin. ...you must bear the marks of honor burned on your forearms. i must see these. you will be sure, kai tong. but by then, i could also be dead. a man does not die of caution. may i see the marks of honor? the dragon and the tiger. you do me honor. it has been one of the ambitions of my life to fight a shaolin monk. i will now have that privilege. goodbye, mei lee ho. you have been privileged to witness... and i see kai tong running away from another man like a coward. this is not just another man, mei lee ho. this is a shaolin priest. i would sooner face 25 of the emperor's... ...elite drag

shh! shh! oh, for the love of pete. the whole eastern seaboard is blacked out. [ telephone rings ] oh, excuse me. [ ringing continues ] come on, gladys. good night. hi, aunt clara. is everything all right? oh, of course, of course. why shouldn't it be? aren't the lights out? they are everywhere else. oh, yes, the lights are out here, too. well, what a coincidence. i doubt if that's what the electric company's calling it. how's tabitha? she is sleeping peacefully. well, that's good. i'll check later. aunt clara, you sure everything's all right? oh, everything's fine, but everything's fine. bye-bye. uld have happened to anybody. but how am i going to get them back on again? i...don't know. oh, i've got to have help. oh, i wish ocky were here. maybe i could bring him here. i can try. eyes like fishes, nose like dishes. ocky. clara. oh! well, it worked. oh, i still have my touch. clara, my darling. oh, no. nothing like that. no, i called you back professionally, and then, after that, you can go back to your little...witch.

- shh. [musicicontinues] they've gone. it's alright. you can come out now. hey, hey. hey, it's alright. you can come out now. (solo) 'jill.' [gasps] 'jill? jill, come on, wake up. come on.' yes, come on, wake up, come on. it's the real tom blenman. he was killed and his body hidden here so friedlander could take his place. how far is the lake from here? a-about 15 miles, why? he was drowned. he has rope burnrns on his hands. yeah, i don't understand either. we better try to find a way back to town. come on. want some fresh water from spinner's new well? no, all i want is to get safely in the house. oh, let's not tell spinner what happened. we'll just say we had some trouble with the car and got messed up. i rather not involve anybody else in our troubles. oh. well, jill, mr. blenman. mrmrspinner, our-our car broke down and.. well, come on in. come on in. thank you. i declare, jill, you look like you've been a sodden wildcat. 'why, you sure arare a mess.' [spinner laughing] oh, well, what did you kids do? try to push it on your hands and knees? i got a whole garage ful

shh. calm down. calm down. >> theresa: you're as bad as dad, sneaking around. >> kimberly: shh. calm down. calm down. hush. hush. you are safe.

shh. your mother and father think you haven't come in yet. well, if you're talking about the way normal people go in and out, i haven't. your mother also thinks we've had a fight. we have! no, i mean a big fight. now, what you have to do is go back outside and make an entrance ight. i'm not sure that it is. is your mother gone? yes. darrin, please. how can i go outside and make an entrance when my daughter won't let me go 10 feet away? darrin, is that you? oh! in the closet -- quick. samantha, i'm sure i just heard darrin's voice. isn't he here? here? oh, mrs. stephens, you must be imagining it. samantha, ever since we arrived, now, i know i heard darrin's voice. tabitha, look who's here. grandmother stephens. well, what do you think of her? oh, my, she has grown. do you remember me, darling? [ darrin sneezes ] daddy. no, no! you mustn't do that. what did the child do? well, uh, she didn't finish her nap. you know how important it is for children to get their sleep. she heard something in that closet, and so did i. [ ding! ] i'm beginning to

shh. is the guard outside? yes. se?or flint, when they find out what i've done, they will try to follow us. se?or flint, you-- you like conchita, yes? i can hardly hate you for saving my life. then you will take me with you, where the wagons go. i promise you. we can't afford to take any chances with that guard. no noise. i'm your prisoner. ( scraping ) rode into camp. with a se?orita. he's back, huh? get these rifles out of sight, boys. well, you got yourself in trouble again, huh? but i got here, didi't i? yeah, but what with? what's this? this is miss conchita vasquez. if it wasn't for her,, i wouldn't be here. mm-hmm. you helped him get away? why? what's your game, missy? what are you up to? what does he mean, se?or flint--up to? it's all right, conchita. the major here is not very trusting. he thinks you've got some sort of a trick planned. oh, no trick, se?or. i just helped se?or flint escape, and i escaped with him. he tell me that you will protect me. you ought to know you can't trust a comanchero any farther th

shh! aren't you being a little rash? couldn't we just force him to do an antidrug film? what's the matter with you?! i'm cold. can i have the middle now, please? thank you. mork... mork, he's -- it's holding us captive here! this is ridiculous! we've got to figure out how to pull the plug on him! i just built him. there's a whole other union that bumps him off. will you pass the soap? we're out of it. you've seen harry houdini... you've seen harry blackstone... ent mearth -- rex reed said, "intrinsic." clive barnes said, "why?" escorting him is the wonderful shiksa goddess -- mindola! and now the magnificent mearth will make a man disappear before your very eye. sure, i am. okay, could i have a volunteer from the audience, please? how about you, sir? i just came here to see mort sahl. shame on you. will you step in there, please, daddy? incidentally, before i put daddy in here, notice there are just some old, dirty clothes, a rather attractive spacesuit, and we have bonzo and two other actors. now, daddy, if you will get into the am?re. [armoire] i guess this should be o

shh, shh. what are you doing? ok. take it easy. that's my boy. little baby. ? down by the old mill... ? [crying] ? ...stream ?? nice try, dad. what's going on? andrew's having trouble sleeping. i have to get up early to finish the homework he ruined! honey, we're trying. i have to sleep! he's not keeping you up on purpose. i'm not so sure. all you ever think about is yourself! i hate you! i wish they never had you! jennifer. john, we're giving you a raise. that's fantastic! honey, you got another present. no thank you, dad. who says no to more? time warner cable internet gives you more of what you and those little data hoggers want. like ultra-fast speeds up to 300 megs. that's 50x faster than dsl. this internet speed is sick. get 50 meg internet starting at $39.99 a month. call now. and with home wifi, the whole family can be online at once. g reat for kids to stream scary shows while not cleaning their room. you'll also get our exclusive 1-hour arrival window, a money-back guarantee, and there's no contract to sign. get 50 meg internet with no data cap starti

. - shh. - but i'm so-- - please! i must think. there has to be some way out of this-- but there isn't, so can't we just talk? not now. just pretend i'm not here. part of the walls. that's what you are. alright. but just for once, just once. couldn't you pretend you're a human being? for a few moments then. let us pretend i'm a human being. (pattner) 'energetic young man, isn't he?' what are we gonna do with him? [explosion] what is going on? [alarm blaring] come on. [explosion continues] [alarm blaring continues] [gadget crackling] [beeping] return at once and check the hallways. [beeping] [beeping continues] okay. sir. all northwest fires are out, but the power is gone. - tell 'em to guard all points. - alright, there, let's go. come on man. go, move out. look out! look! [machine gun firing] it's the gas. it's the gas. [muffled] kuryakin. (napoleon) hurry! i left the time bomb in the ammunition room. [loud explosion] they've lost their headquarters their chemical plant, their scientist and the supply [chuckles] that would seem to

. - shh. - i will take the funny fellows to el diablo. , wherever he is. (indistinct shouts) - [el diablo] what is this? - what is this. i tell you what is this. my leader, the greatest bandit in the world, wish to join forces with you. - who is this who call himself the greatest bandit in the world? - who is this, who asks who is this the greatest bandit of them all? - they call me el diablo. also known as the bandit without a heart. - they call me el tolencio, also known as the bandit without a soul. - and they call me el nesmerto, also known as the bandit without any conscience. - [mikey] okay diablo, my band of friends and i, we want to join forces with you. we want to ride down the hills into the villages, right into the mouths of the guns of the villagers, shooting and killing and riding on the horses. and the federales all come screaming down the hill looking for us. and the killing and -- - [el diablo] you, join forces with me? (laughs) - oh yeah, we even brought our own fixings. - we shall see. you will be given a series of tests. if you pass them

shh! archie, i can understand that dumb taped dog. it can't hurt anybody. but a gun! will you dummy up, huh! i don't want them to get all upset in there. ma! what are you doin'? what are you doin'? gloria, come in here. archie wants to buy a gun. what a fink! that's right. that's right. a gun? oh, my goodness! a gun? where? right over here. get out of my pocket there! that's the reason he doesn't wanna give you the money. he wants it to buy a gun. - archie! - wait a minute. wait a minute. what is wrong with that? i am interested in the protection of my home-- the defense of my family. oh! oh, that's terrific. yeah. you're gonna buy a taped dog and a gun. that's $60 for defense... against only $30 for the song. [ archie ] right. archie, when it's a question of the destructive man versus the creative man, the creative man always gets the shaft. the shaft? is that anything like the oscar? daddy, are you really gonna buy a gun? i'm doin' it for youse. [ all chattering at once ] no! not according to the rules of the family pot. the use of the family pot shall be determined

no, shh! take the guards. have a look outside. radioactive readings, chemical pollution, any further sign of life. right, captain. i wonder what happened to her [tricorder whines] burning, yelling, hurting people. we didn't do anything like that. you're not going to hurt? well, of course not. we're here to help. grups don't help. but we will. what happened here? where is everybody? you know. no, i don't. you got a foolie, is that it? you want me to play, but i can't. i don't know the rules. i've got to know the rules. foolie? a game, you know. i can't play a game without rules. even grups ought to know that. what are grups? you are. they will, when onlies get old. you said something about the...grups doing bad things-- yelling, hurting, burning. that was when they started to get sick in the before time. we hid, then they were gone. am i doing all right? you're doing fine. you said the grups got sick. is that why there aren't any of them around? yes. they died, a plague, captain. that could explain a lot of it. but what about the c

shh! i was just like a perfect gentleman. i opened up that door, and that colored guy walked in and stepped all over me. hey, what you trying to do, man, freeze a dude to death out here? oh, no, i'm sorry. i know it gets cold out there on the stoop. come right in. please, come right in. uh, now, let me see, gentlemen, what do you mean, 6:30? it's 10 after 6. you're trying to do us out of 20 minutes' time. no, no, i beg your pardon. my watch is fast. oh, sure. you hear that, jackie? they're all alike. all trying to get something for nothing. well, he gets nothing from us, man. you best tell the dude this house call gonna cost him 32 bills, for openers. and 16 bucks for every five minutes after the half-hour. very reasonable. y. you got the tools, jackie? oh, yeah, i'll go get the tools. [muttering] and i'm going to take my time getting them. oh, sure, sure. no rush, no rush at all there. no rush at all. well, while we're waiting, i might as well make myself comfortable. oh, certainly, certainly. sit down. take a load off your

shh. calm down. calm down. >> theresa: you're as bad as dad, sneaking around. >> kimberly: shh.calm down. hush. hush. you are safe. for now, any