long shots, slow camera movement, vertical and horizontal panoramas shot by andrey tarkovsky , following the main character of his documentary art picture, nikolai buryaev walks everything to convey in film images the spiritual essence of things. movie title. this is the first line of a prayer, tarkovsky, addressed to the lord god god, i feel your approach ivan from ivanov's childhood and boriska motore from andrey rublev nikolai burlyaev met tarkovsky as a child in 1961 , he says, he still feels a connection with the master . he lives all the time in my soul. every day. i'm with tarkovsky. i pray, a tarkovsky in the morning prayers every day. i talk about him all the time. i'm interviewing all the time i give. i watch his films, and i finally made the film that i think i could. forgive me, just me. no, the diaries of andrei tarkovsky himself and nikolai burlyaev, at the heart of the film, the fate of real people and the heroes of the paintings are intertwined with such attention to detail, as if. you are now in a dream, by the way, is also one of the features of tarkovsky's directing, b

and even sometimes, even slightly smiling, she monotonously told the director andrei tarkovsky, about the film of which none of the soviet people had seen it for a long time, this film was called passion for andrei, but he entered world cinema under the name andrei rublev in the early 1960s. boys in honor of the cosmonauts gagarin chernov were called yuri germans, so in august 1934 the boy was named after otto yuryevich schmidt, the leader of the famous chelyuskintsy epic. well, at that time , he was probably the most popular person that year. he was born in the city of bogorodsk, nizhny novgorod province, well, in our time it was, the gorky region, his mother was born, and from saratov, from a family of german colonists who settled in the volga region even e, under the tsars, paternal grandfather zakhar solonin was a rural literate. author of the collection the ark vetluzhskaya antiquity, where he collected local legends of the epic or kenda , but the boy’s father alexei solonin’s son was also a mute, he was responsible for the calendar of the regional newspaper, gorkovskaya pravda w

vertical and horizontal frames were filmed by andrey tarkovsky, following the main character of his documentaryilm , nikolai burlyaev goes all the way to convey the spiritual essence of things in film images. name movie. this is the first line of the tarkovsky prayer, addressed to the lord god god, i feel your approach ivan from childhood ivan and boriska motore from andrey rublev nikolay burlyaev met starkov as a child in 1961, he says, he still feels a connection with the master. he lives all the time in my soul. every day. i'm with tarkovsky. i pray, a tarkovsky in the morning prayers every day. i talk about him all the time. i do interviews all the time. i watch his films and i finally made the film the film that i believe could excuse me, only boxes the diaries of andrei tarkovsky and nikolai burlyaev in three films of the fate of real people and heroes of the paintings are intertwined with such attention to detail, as if. you are now in a dream, by the way, is also one of the features of tarkovsky's directing, because he never spoke about god from the screen. well, sometimes he has icons

in a sense, it can be called the artistic revelation of two directors, andrei tarkovsky and nikolai burlyaev. both they are connected in the space of one film and the picture is also called unusually. god, i feel your approach, filmed on the occasion of the 90th anniversary of tarkovsky - this is a very deep intellectual tape of the comprehension of his genius by the people's artist of russia nikolai burlyaev , who knew the director, personally communicated and played the main roles in his paintings of ivanov's childhood and andrei rublev. this film was born and grew in me for 6.62 years since 1961, when i first saw andrei arsenievich, we lived, created together, i kept a diary, because i realized that next to me was a genius. i kept recording all our meetings. and now the title of the first film came in handy. the pen of tarkovsky’s personal prayer was found by nikolay burlyaev in the director’s diaries and they became the basis of the film, which the people ’s artist of russia calls the main one of his work . zhavorovo's tape can be called a documentary artistic confession about the spirit

in a sense, it can be called artistic revelation of two directors, andrei tarkovsky and nikolai burlyaev are connected in the space of one film and the picture is also called unusually. god , i feel your approach taken to the ninetieth anniversary of tarkovsky. this is a very deep intellectual tape of the comprehension of his genius by the people's artists of russia nikolai , who knew the director, personally communicated and played the main roles in his films of ivanov's childhood and andrei rublev. this film was born and grew in me 6:52 years from 1961, when i first saw andrei arsenievich, we lived created together, i introduced, because i understood that next to me was a genius, and i kept recording all our meetings. and now the title of the movie comes in handy. the pen of tarkovsky’s personal prayer was found by nikolai burlyaev in the director’s diaries and they became the basis of the film, which the people’s artist of russia calls the main one of his work . genre tape can be called a documentary, an artistic confession about the spiritual path, director, who was destined to becom

and even sometimes , even slightly smiling, she monotonously told the director andrei tarkovsky, in whoseeople then i didn’t see it for a long time i won’t see this film called passion for andrei, but he entered the world cinema under the name andrei rublev in the early 1960s. the boys of the watch cosmonauts gagarina grated were called yuri germans, so in august 1934 the boy was named otto otto in honor of otto yulievich schmidt , the leader of the famous chelyuskintsev epic . so the boy was named after this hero of the polar explorer from there. he was born in the city of bogorodsk, nizhny novgorod province, well, in our time it was, the gorky region, his mother was born, and from saratov, from a family of german colonists who settled in the volga region under the tsars, paternal grandfather zakhar solonin was a rural literacy author of the collection the ark of vetluzh antiquity, where he collected local epic or genda tales, but the boy's father alexei solonitsyn was also a mute; he was responsible, secretary of the regional newspaper, gorkovskaya pravda well , of course, at the beginn

it sometimes seemed to me that andrey was in a direct channel, as if between tarkovsky and the creatorn in a cinema and concert hall. october today a huge number of viewers of the artistic intelligentsia of the master of cinema are ordinary people who love tarkovsky's films, and the role of burlyaev, this picture, which our cinema sorely lacked and which should have appeared. we are very much in awe of the dread of so. well, i was waiting for maria arsenievna's assessment. she called me personally and she was. well, the picture was praised, in general, and for me, this is probably the highest rating among the authors of the picture can be called the great composers eduard artemyev and yoganabaha. their music sounds in the tape in the film a lot of interesting movies and photo archives memories in a word very important other movies in wide release on april 6 dmitry castro i'm nastrelyanskaya viktor vinogradov nikolai zakharov denis kuznetsov lead. we will tell you what this day is remembered for in history right now hello march 17, 1830. the premiere of the first concert of the young pi

copies , the author savely yamshchikov gave tolya why because savely cheeks was a consultant andrei tarkovskyn the film andre rublyovka, they became friends with corned beef. instance and what is interesting? he says that i think that the interest of foreigners in russian icons and their export abroad began with this book by savely shchekovo. you know, i can say a blasphemous thing, but i am glad that foreigners took these icons abroad. at least they will be preserved there abroad, because i have been to foreign museums and seen the greatest collections of russian icons. and here khrushchev has just finished another iconoclasm, where artifacts were destroyed. here are the same icons, how they were destroyed in the twenties and thirties, when they were chopped with axes for kindling for samovars and it is not clear. will this atheistic vandalism be repeated for this reason? they took the foreigners and took them out and did the right thing. tolya, here, because i can’t speak. he spoke all the time in a kind of even salonist monotonous voice without any vivid emotions. well, you know, because w

in a sense, it can be called the artistic revelation of two directors, andrei tarkovsky and nikolai burlyaev in the space of one film and the picture is also called unusually. god , i feel your approach, filmed for the 90th anniversary of tarkovsky - this is a very deep intellectual tape of comprehension of his genius people's artist of russia nikolai burlyaev, who knew the director, personally communicated and played the main roles in his paintings of ivanov's childhood and andrei rublev. this film was born and grew in me and i entered a diary, because i understood that a genius was next to me, and i kept writing down all our meetings. and now it came in handy the title of the film the first line of a personal prayer, tarkovsky, a unique record. nikolai burlyaev, found in the director's diaries. they became the basis of the film, which people. from russia , the chief calls his work they filmed a tape, where once upon a time, tarkovsky lived in the volga city of zavrazhie and in the yuritsa of the ivanovo region. zhavorovo, the tape can be called a documentary artistic confession about the s

a documentary called god, i feel your approach, she is with her so the ninetieth birthday of andrei tarkovskye a lot of films in tarkovsky. created a lot written, but as a rule, they said, and and here is the tragic fate. everyone already knows this, but, and for the first time, this film of god spoke of his spiritual religious essence of tarkovsky’s creativity, i feel your approach, these are the words of andrei tarkovsky’s prayer, addressed to the lord god, whose guide through the screen of his magic screen he was well, right after the big evening news today . do not miss the final series of the film limicica. all news is always available on the media platform, we watch it in the application on the website. as you prefer, and the news is following the development. in the spring of 23, which all astrologers, tarot readers and numerologists call fateful , a strong earthquake occurred in turkey and syria , which astrologers predicted, has already claimed the lives of about 50,000 people, but the worst thing is just the beginning. so what awaits us, the tarologist aida martirosyan, who has come

baski oh, this is growth the largest figure in iranian cinema for russia is comparable to, say, andrei tarkovskyan , abbas about stature. e-e studied at the university of tehran at the faculty of arts and, in general, positioned himself. e in his youth, as an artist and one might even say, as a poet and writer more than e a cinematographer, but he was a director of, uh, long-form films for a very long time. he himself was born in the fortieth year, he began his graphic activity with some kind even under the shah, and one must understand that here, on the threshold forty years he had to change his. well, let's say that the aesthetic system after the revolution of the seventy-eighth year, and iran severed its automatic relations with the united states after the hostage-taking and fell under sanctions, respectively, many cultural figures were forced to either leave the country or go into opposition, but abbas continued to grow. e, using his great authority to work at home. this did not affect him as an artist, these mm restrictions, but nonetheless. he became more of an observer, stopped, uh, doing

it was filmed for the ninetieth birthday of andrei tarkovsky.ure the all-russian rental on the sixth of april. and there are a lot of films in tarkovsky. created a lot written, but as a rule, they said, and here is the tragic fate. everyone already knows this, and here, and his spiritual religious essence of tarkovsky’s creativity for the first time spoke this film of god, i feel your approach, these are the words of andrei tarkovsky’s prayer, addressed to the lord god, whose conductor through the screen his magic screen he was over time, against the backdrop of a changing environment in the country , the life of the heroes of the series limicica is also changing the final episodes immediately after our graduation at the weaving factory, where they began working as young specialists. everyone found their place if masha moved along career ladder to chief. ivan's workshop , on which the personal lives of three friends are concentrated, descends to theft, and they again save his responsibility in the early nineties, the enterprises pass into the ha

uh, the main prize of the venice golden lion festival went to uh, andrey tarkovsky from the film childhood bathtub. there were films winners of slightly less significant festivals, finally, and the dawns here are quiet in the seventy-second year, they were nominated for an oscar, though they lost the film has a modest charm. bourgeois. ah. everything, it was really in demand at the cannes festival, for example, our film the lark participated in the sixty-fifth year about how it was in germany during the war on the anniversary of the outbreak of the war. e, e is running from the concentration camp together with a training tank the crew of e, the film of course, was the forerunner of our modern film t-34, but was much more honest in the middle of the film the crew was well aware that they were not residents. they had only a few hours left, and they decided to arrange a real dump and in a good way for nightmare all this rear germany with a harbinger, lyaz. the roar of the advancing guards tank corps, and the film was a success, but had no prizes. uh, in the same year it came out, a wonderful

and as boris nanovich himself said with a titan, because the unconditional genius andrei tarkovsky paysand makes me know how it turned out. i watched the movie stalker again when i was very young man. it was the first film by tarkovsky that i saw, and there the audience was leaving somewhere and a super-movie. cool. i watched it five times. just baldell from this movie filmed. it's based on strugatsky's novel roadside picnic, which i didn't read in kazakh was hard to find, then i read roadside picnic and was disappointed because stalker is much more interesting stalker is much better. a picnic to us hurts that now i recently re-read picnic i no longer understood that i was wrong and books on the sidelines, a super thing, a great thing, of course, but still, but stalker is stalker and that's in my opinion. why is this happening, because the strugatskys and it seems to me that this is what they didn’t lack, it’s impossible to say that they lacked, but still, the world of the strugatskys is a world without religion, this is a world in which there is no god . whatever their currency, not so

as the number one director director andrei tarkovsky during his lifetime becamenioni, bergman, fellini and others tarkovsky created the world of his films, amazing in terms of the power of influence on the viewer, is like an encrypted message to unravel, which the director can endlessly raise. e eternal themes when he expresses his opinion. why are we on earth, he understood that to me the crowns of the universe is a documentary work an attempt to understand what has formed the unique cinematic language of tarkovsky and at the same time reflections on the inner world of a person who is trying to understand the undercurrents of his soul and come to vera once. i had a dream that i died was somehow very similar to the truth. andrey arsenievich, everything is told, i told about his divine soul. this is the key to tarkovsky himself. i bring out the song of the soul tarkovsky, what is his idea of ​​the whole life the sacrifice of the offering from him through all the films of the sacrifice. substitute your hero and the film itself is knocked out of many modern trends.

young colleagues and her husband, director gleb panfilov directly by the mirror are portraits of andrei tarkovskykharov about how they put the legendary seagull here. and most importantly, the actress in the theater and it is very invested. ai hinted, threw, but she is a mother, she is a woman, and now they had a very big argument. who in arkadina is more rice or a woman and a mother, but the disputes in the theater are exceptionally creative; she loved people very much, she loved artists, and, uh, she never raised her voice, there was no prime minister about this and many other things they talk about on excursions and on churikov half a century on the linkcom stage a walk around the theater and to the dressing room everything here is like with the name mikhailovna, the only addition is a picture, inna churikova in the role of elizabeth ii loved this role very much, so i allow myself to hang a picture here, by the way, it was the only empty place , as if waiting for us to hang something talent and two scripts for the last two performances here. lies of salvation and an otlitanian lioness. also he

name, son anton, grandson arseniy, that is, there, well, there is also a name like that at tarkovsky yes, it’s andrey things. all of them are leaving, the crimea and the soviet soldiers should destroy them, but they don’t destroy them. it is very beautiful these aksenov language in a helicopter years ago. they are almost a mother. they say. what does she say, the most. e, here, - he says - a cross, a guy, lies and depicts everything. and there is another child one says. yes, i will not throw a bomb only. well, how can you throw a bomb in the stomach, they shoot past and the person who controls it. means them.